Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s no secret that K-pop takes much of its influence from … Continue reading
After eighteen months away, boy group BIGFLO is back with renewed energy. Main dancer Euijin finished in second place during KBS’s The Unit, garnering attention through his promotions with project group UNB. And BIGFLO is an act in desperate need of attention. Their last few comebacks have stalled on the charts, putting them in real … Continue reading
Berry Good is one of those K-pop acts who always seem to exist on the periphery. They’ve been around for four years (!) now, and released a slew of solid tracks, but their career never seems to gain any momentum. This is a shame, because the girls have a lot to offer. That potential is … Continue reading
Amidst all of the comebacks this season, Hyolyn has surprisingly become the summer MVP. Last month’s See Sea leapfrogged over its competition to soundtrack July, but she’s not finished yet. Reuniting with frequent Sistar producers Duble Sidekick, Bae sees Hyolyn closing out the summer with a classic, roller rink ready burst of undiluted pop. Hyolyn’s voice … Continue reading
After a strong start to the year, Cube Entertainment has collapsed in recent weeks with the mishandling of the E’Dawn/HyunA dating “scandal” and BTOB members’ impending military enlistments. It’s bound to be a rough road in the coming months, but new girl group (G)I-DLE remains a bright spot for the agency. Their May debut saw … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets the … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. For a group that I don’t follow all that closely, I … Continue reading
Among all J-pop idols, AAA’s Nissy possesses my favorite voice. Incredibly rich and filled with character, it’s the kind of tone that can elevate even the slightest of material. Combine that with an old-fashioned sense of showmanship and you’ve got a performer at the top of his game. New single Relax & Chill may not … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It was difficult to pick a “buried treasure” from Red Velvet’s … Continue reading
After nearly two years of pre-release build-up, LOONA is finally upon us. Well, almost. favOrite is technically another pre-release, but it’s the first taste of what the entire 12-member group will sound like together. So, with all of the hype the girls have garnered since 2016, did they manage to stick the landing? Yes… and … Continue reading
Rookie group Stray Kids released my favorite debut of the year with March’s District 9. That track positioned them as an exciting new force in K-pop, blending trendy hip-hop with a bombastic rock edge that felt unique and disruptive. It was always going to be a difficult song to follow up, so it makes sense … Continue reading
SM Entertainment’s summer drought finally comes to an end with the release of Red Velvet’s new mini album. The girls conquered the summer of 2017 with their monster hit Red Flavor, giving any new seasonal song a lot to live up to. But rather than return to Flavor producers Caesar & Loui, new single Power … Continue reading
Monsta X have been incredibly prolific since their debut in 2015, returning with new music several times each year. And now that they’ve set their sights on the Japanese market, they’re busier than ever. Livin’ It Up is their third Japanese single in the space of only eight months, and their output is only improving … Continue reading
It’s hard to believe that Hey! Say! JUMP celebrated their tenth anniversary last year. After a decade in the industry, most pop acts begin to fade, moving on to less potent material that often feels like a retread of earlier sounds. But JUMP debuted incredibly young, with its oldest members now only in their late … Continue reading
iKON made quite a splash when they debuted in late 2015, but 2018 has really been their coming out party. Not only was Love Scenario one of this year’s biggest hits, but its chill hip-hop sound has gone on to inform many boy group releases since. Its chorus was an earworm to end all earworms, … Continue reading
Arashi spent much of 2017 experimenting with their sound. Whether it was the swing-inspired I’ll Be There, the symphonic and trap breakdowns of Mikan, or the eleven-and-a-half minute song suite that marked the climax of their sixteenth studio album, Japan’s biggest male group proved that their sense of adventure was not going to slow down … Continue reading
Over the course of their young career, SF9 have tackled a number of concepts. This constant shift in sounds may make it difficult for casual listeners to get into their music, but it’s proven the group’s impressive versatility. With new single Now Or Never (질렀어), the guys are tackling a genre they call “dark pop,” … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets the … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s funny. Despite Chungha embracing one of my least favorite K-pop … Continue reading
Seungri’s new album has seemed to split opinion online, with some listeners declaring it the best full-length of the year and others feeling like its sound is outdated when thrown into the modern K-pop landscape. In many ways, the album feels like it could have been released in 2012 or 2013, and that’s precisely the … Continue reading
The Bias List // K-Pop Reviews & Discussion 