Few groups have enjoyed as meteoric a rise as Twice has with their debut single Like Ooh Ah. It took me a long time to fully come around to Ooh Ah‘s charm, and if its longevity is anything to go by, I’m not the only one. Cheer Up feels as if it may achieve the same feat. On … Continue reading
It’s a tall order to follow-up a song as well received (and well-delivered) as Mansae. For me, it was one of 2015’s best singles, and established Seventeen as the top rookie group of the year. It also raised expectations almost impossibly high for their follow-up. Both Adore U and Mansae shared similar styles, opting for … Continue reading
BTS’ The Most Beautiful Moment In Life project has been such a triumph on all levels, and now they’re taking a victory lap of sorts by releasing the trilogy’s finale. The actual album (and presumed title track) won’t be released until early May, but with Young Forever, they’ve surprised us with a taster of what’s … Continue reading
Six weeks after coming back with double title tracks, Lee Hi is wrapping up her Seoulite promos with the release of a final single, My Star. The song sees a return to the retro soul-pop she’s known so well for, but how does it match up with her material from March? Pretty well, actually. My … Continue reading
When GOT7’s comeback was released in March, I wasn’t so thrilled with it. Fly has since grown on me, though I still think it’s one of their weaker title tracks. As indicated by the brief sample we were given, follow-up single Home Run seemed to promise something bouncier and more upbeat. The song has actually been … Continue reading
Before making their inevitable Korean comeback, AOA have released their second original Japanese single with Give Me The Love. I liked their first one well enough, but it had absolutely no staying power on my playlist. Give Me The Love seems to be the exact opposite. I was initially underwhelmed, but now find myself… well… … Continue reading
Block B get compared to Bigbang quite often. Some of the comparisons are fair, and many are not. They certainly have a sound of their own, but they do share a similarly annoying habit of taking long breaks in between releases. Prior to their March comeback, we’d gone nearly two years since hearing from them. … Continue reading
Given the purpose behind this track, I was bracing myself for a gag song, more concerned with cameos than music. Though I love Conan O’Brien, I definitely didn’t need him singing in a kpop single. Luckily, his portion of the audio is limited to a lame spoken intro (which honestly should have been kept exclusive … Continue reading
JYP (Park Jinyoung) is a legend in the world of kpop, and rightfully so. Not only is he the founder and head of his eponymous agency, but his career has continually forged the path of what kpop has developed into, starting in the 90’s and continuing to present day. He’s also a total character, and … Continue reading
I’ve always found SM’s “throw ’em out there” approach to debuting new groups to be kind of refreshing. There’s no endless countdown clocks or debut dates announced weeks before music is released. When they’re ready, they briefly tease and then just drop the music. Bucking industry trends, the first releases from their NCT boy group … Continue reading
Thank the kpop gods! We finally have an SM Station release that isn’t a lifeless ballad! This alone is something to celebrate, but the fact that Lil’ Something is a great song in its own right is icing on the cake. For those unfamiliar, Chen is one of the main vocalists in mega-group EXO, and Heize … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides and album tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. I find myself continually drawn back to DAY6’s … Continue reading
CF (Commercial Film) releases from kpop acts are often pretty flimsy, which makes sense because their whole purpose is to act as an advertisement for whatever product or brand a group is endorsing. Similarly, CF music videos are little more than extended commercials, usually with the product awkwardly shoehorned in. But, Mamamoo’s Woo Hoo is … Continue reading
I get the sense that CNBLUE’s Cinderella from last year wasn’t all that well-received. But, I appreciated the move towards a more synth/dance driven style and it actually got me more interested in the group than I’d been in quite some time. Nevertheless, You’re So Fine offers a sort of return to form, with its funky, … Continue reading
You’ve got to give it to N-Sonic. After over four years on the scene without even a wikipedia page to show for it, they keep plugging along. It’s rare for a group of their stature to surprise me, but with Excalibur, they managed to do just that. The song jolts from its opening moment, where … Continue reading
After losing member Junhyuk, DAY6 is back as a five-piece to offer us another rockier alternative to traditional kpop. Their debut mini album was a very pleasant surprise last September, and luckily their new material ends up being more of the same. While Letting Go lacks some of the singalong quality that made Congratulations so … Continue reading
Throughout their consistently great, three-year career, Boys Republic have attempted nearly every style of kpop and still managed to go mostly unnoticed. It’s a shame, because this constant strive to elevate their status has forced them to become a group of multiple identities. Yes, all those identities have been pretty awesome in their own … Continue reading
We’ve had a somewhat steady stream of solo releases by girl group members this year. Hyomin’s Sketch didn’t wow me a week and a half ago, but from the teasers, Secret’s Jun Hyo Seung promised to take a similarly sexy approach, but merge it with a more propulsive dance pop production. Boy, did she ever. … Continue reading
A few weeks ago, I named Oh My Girl the most underrated female rookie group in kpop, and with Liar Liar, they continue to show why they earned that title. Combining the offbeat pop sensibility of debut track Cupid with the melodic heft of last fall’s Closer, they’ve found a nice mix that defines their … Continue reading
Like label-mates CNBlue, FTIsland has done a nice job balancing their Korean and Japanese success. Given their status as an idol rock group, their sound has an easily-slotted place within the vast world of j-rock, though the direction of their Japanese material hasn’t always been to my taste. However, I was incredibly impressed with frontman Hongki’s solo … Continue reading
