In a strange twist, the sweet, ultra-melodic girl group sound I came to love (think: Lovelyz, GFriend, April) has found a new home with fifth-gen boy groups. TWS are the most popular act tackling a bright, bubbly style but prior to their debut The Wind offered their take on the genre. Their Our: YouthTeen album … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When it comes to the brighter … Continue reading
NCT’s many members are slowly starting to embark upon solo careers, each with their own musical focus. Yuta has been with the group since the very beginning, debuting in 2016 as part of NCT 127. Since then, he’s felt like one of the more underutilized talents. Regardless of my thoughts on the song itself, I’m … Continue reading
Thus far, rookies TIOT have opted for a bad boy rocker sound with their debut track. The song itself didn’t work for me at all, though its band elements showed promise. New single The Long Season (그 계절 긴 터널을 지나) takes a softer approach, bolstering its guitar and drums instrumental with plenty of melody. … Continue reading
Ever since Peak Time game them a second wind, Vanner have been releasing the kind of classic, second-gen inspired K-pop sound many of us oldies hold close to our heart. Both mini albums have been super solid, led by dynamic title tracks that took advantage of the group’s experience. Automatic is another triumph to add … Continue reading
Choi Yena has straddled the line between rock chick and quirky popstress, often combining the two for a bubbly sound that capitalizes on her colorful personality. New single NEMONEMO (네모네모) dives full-on into the quirk, delivering the kind of a hyperactive dance track more commonly heard in J-pop. It won’t be for everyone, but the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When writing about P1Harmony’s new comeback … Continue reading
With 2024’s resurgence in popularity for idol band DAY6, I wonder if Korea is at the forefront of rediscovering their love for band music. Rock was a major force during the 90’s and early 2000’s, but like most music markets (apart from Japan!), the genre has ceded power to more modern sounds like hip-hop and … Continue reading
Pop music has been stuck in a retro romance for this entire decade, seemingly obsessed with referencing past eras rather than pushing forward to new sounds. This has caused genres like synthwave and synthpop to feel quite oversaturated, even if they’re styles I personally love. So, when it was announced that HYO would be drawing … Continue reading
Xodiac’s past few releases have been buoyant and bright, tackling today’s trends with an ease that made them polished but rather generic. New title track Our Days harnesses this effervescent energy and tethers it to a pumping pop rock anthem, taking its cues from popular contemporaries like TWS. This is a sound that greatly appeals … Continue reading
The month of SHINee solos concludes with the release of Key’s new mini album Pleasure Shop. He’s consistently been a K-pop artist who knows exactly what he wants from his music, and often those desires point toward the dancefloor. Last year’s Good & Great dabbled in house music and Pleasure Shop is largely a continuation … Continue reading
The line between “promoted single” and “special track” continues to blur in the K-pop market. Yuqi’s Radio (Dum-Dum) is classified as the latter, but comes with a lo-fi music video to give it extra visual punch. Of all the (G)I-DLE members, Yuqi’s solo work has struck me most dramatically. I’d still take her 2021 Bonnie … Continue reading
Nam Woohyun has always been generous to fans, frequently releasing special one-off singles to mark occasions or simply show gratitude to those who follow him. He’s also a composer, with some of his best solo work being co-written by him. And then, of course, there’s that voice. I could listen to that voice sing anything. … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Hwasa’s new mini album is a … Continue reading
To me, new Korean/Japanese boy group KJRGL are most memorable because their name looks like someone smashed their head on a keyboard and wrote down the resulting nonsense. In reality, “KJRGL” is an acronym for “Kind (of) Just Right Good Luck”, which is somehow even more endearing. They’re under Sony Music Entertainment Korea, but debut … Continue reading
In the lead-up to their first Korean mini album, NCT Wish have already delivered the SHINee-esque pre-release Dunk Shot. Now, they’ve given us another taste of what’s to come with the lighter pop of 3 Minutes (3분까진 필요 없어). I’m assuming this isn’t the title track since the album doesn’t arrive until next week, but … Continue reading
I chose NINE.i’s Vahn as my second favorite K-pop producer of 2023. Not only was he responsible for his group’s excellent mini album, but he also had a hand in Golden Child’s Feel Me. That second song feels like a roadmap to the similarly-titled Feeling — the title track for his first EP. In a … Continue reading
EDIT: This was previously published as a “buried treasure” review, but now that we’ve got an official video I’m switching it over to a normal Song Review! When writing about xikers’ Witch, I mentioned that there are often enjoyable b-sides on the group’s albums even if their title track doesn’t appeal to me. That’s especially … Continue reading
NCT Wish have pinballed promotions between Japan and Korea, releasing previous single Songbird first in Japanese before unveiling its Korean version. Their new album seems to be taking the opposite approach, starting with pre-release Dunk Shot. No, this is not a cover of the 90’s track that NCT Dream already recorded. This is another Dunk … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. ONEWE tried their hand at a … Continue reading
The Bias List // K-Pop Reviews & Discussion 