It appears there will be no full group comeback for SHINee this year, but that doesn’t mean the individual members won’t be busy. In between his many appearances on variety, Key has returned with a new Japanese single. Tongue Tied was made available last week, but today marks its music video debut. I haven’t been … Continue reading
I wasn’t bowled over by ALL(H)OURS’ debut earlier this year, but I sensed musical ambition that might lead to exciting things in the future. With their second mini album, the guys are moving in the right direction. Title track Shock (도깨비) takes many familiar boy group tropes but adds a crackling instrumental that feels new … Continue reading
Kiss Of Life have quickly established themselves as one of K-pop’s buzziest rookie acts. April’s Midas Touch expertly mined the current Y2K trend to craft a catchy showcase that gave the group their own sonic calling card. New summer single Sticky feels more closely attuned to the laidback, Afrobeats-inspired sound currently sweeping global charts. I’ve … Continue reading
Thus far, BABYMONSTER have embraced all the YG girl group tropes you’d expect, casting them as heirs to 2NE1 and BLACKPINK’s throne. This is not an agency known for its willingness to experiment. Instead, they’ve managed to enthrall fans with slight tweaks to successful formulas. With this in mind, it’s time for BABYMONSTER’s version of … Continue reading
GreatGuys is one of those acts that consistently releases solid material, even if they never receive the attention that material deserves. They rarely appear in my year-end countdowns or “top three of the month” rankings, but I’m always pleasantly surprised by their output. I wanted to quickly touch on new single I Love You (각이야) … Continue reading
KATSEYE, like VCHA before them, present an interesting challenge for this blog. They can’t really be considered “K-pop,” but they were formed on the competition show Dream Academy co-managed by HYBE Corporation. Time will tell if I keep writing about their music, but for now I think it’s important to touch on their debut as … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TWS’s Summer Beat is a varied … Continue reading
Seventeen years since their debut, FTIsland are set to release a new album next month. Now a trio, the guys have become one of K-pop’s longest running acts, and pre-release Burn It proves they still have plenty of gas left in the tank. As far as I can tell, this song comes as a surprise. … Continue reading
After leaving Astro, Rocky embarked on a solo career with last year’s ROCKYST and title track Lucky Rocky. I enjoyed the direction he pursued, but thought the execution could use some work. When it comes to today’s Jealousy, I’m drawn even more to Rocky’s musical direction. This style of funky synthwave-influenced pop music is very … Continue reading
B.D.U is a project group spawned from MNET’s reality show Build Up: Vocal Boy Group Survivor and consists of M.O.N.T’s Bitsaeon, CIX’s Seung Hun, One Pact’s Jay Chang and trainee Kim Minseo. While I love the idea of a show focused on K-pop’s often-underutilized vocalists, I’d rather the entire industry make a shift toward robust … Continue reading
Ex-LOONA member Chuu established a solo career late last year with a pair of singles that cast her as a synth-pop chanteuse. I can’t say I recall anything about either song, even though I remember enjoying them upon release. New track Strawberry Rush opts for something brighter and quirkier — a smart move for someone … Continue reading
SM Entertainment is having a busy Monday, with no less than three comebacks across both the Korean and Japanese market. Super Junior’s Donghae and Eunhyuk join Red Velvet and NCT Wish in celebrating new music with the release of Japanese single You&Me. And like many acts this month, they’ve opted for a bright, funky summertime … Continue reading
Sometimes I forget just how bulletproof the first five years of Red Velvet’s discography was. I’ve been less enthused with their post-2019 output, but even when the music wasn’t my cup of tea the group’s vocals still impressed. They’re one of the premiere girl groups of the last decade, and their tenth anniversary should see … Continue reading
Though NewJeans’ 2024 releases have enjoyed successful runs on the charts, there’s a growing feeling of stagnation with their music. You can only do ‘breezy cool’ so many times before the songs start to blend into one another. It’s time to inject a new genre influence, and the New Jack Swing of Supernatural may be … Continue reading
aespa’s Supernova is smashing the charts in unexpected ways, far surpassing the effect of their album’s actual title track. I’m happy to see this, as I’d love SM Entertainment (and girl groups in general) to fully embrace this upbeat electro sound. Apparently, the Korean listening public is of the same mind! However, I found Supernova‘s … Continue reading
Kwon Eunbi remains a bright spot in Woollim Entertainment’s dwindling roster, capturing attention with her upbeat sound and overall star power. It isn’t easy to launch a soloist in the idol industry, but she’s managed to develop a consistent discography highlighted by club bangers like last year’s The Flash. New single Sabotage delivers her biggest … Continue reading
The title “Badder Love” is grating on every grammar nerve I have. “Worse Love” would have sounded equally awkward, but there’s something about that “badder” that just slaps me across the face. However, this is the group who’s already promoted with “Trouble” and “Ugly,” so I guess we’ve been warned. Whatever the case, Badder (ugh) … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Twice’s Nayeon made her solo debut in June of 2022 with the splashy, addictive Pop. Now, almost two years later to the day, she’s picked up where she left off with the even splashier ABCD. There may still be room to grow, but in this era of flattened, fluttery earworms it’s refreshing to hear something … Continue reading
For a time between 2017 and 2021, Sunmi delivered at least one mega-banger a year, cementing herself as one of K-pop’s most consistent soloists. The past two years have been less compelling, with 2022’s Heart Burn and 2023’s Stranger feeling like lesser versions of superior Sunmi tracks. New single Balloon In Love marks a sonic … Continue reading
The Bias List // K-Pop Reviews & Discussion 