Earlier this year, Trendz’s Go Up single-handedly vaulted them to a new level in my mind. It’s one of my favorite songs of 2024 and offered a new glimpse of the musical heights this rookie group could scale. However, most of Go Up‘s success can be attributed to producer/composer Brave Brothers. Grade “A” Brave Sound … Continue reading
Surprise drops don’t really exist in K-pop, but Super Junior’s Show Time is as close as we get. Teased only days ago, the digital single arrives without much build-up. It’s their first group comeback since 2022, though the individual members and sub-units have been active more recently. Show Time feels tailor-made for live performances. Its … Continue reading
So, K-pop industry… how do you expect me to take a song called “Poongdung” seriously? There’s onomatopoeia and then there’s just silly sound effects. I guess “풍덩” is more of an established sound in Korea and doesn’t translate well internationally. Fortunately, the song’s summery sound works across all markets. We’ve heard many iterations of this … Continue reading
XY were one of 2023’s most exciting new prospects. Formed through Yoshiki Superstar Project X, they’re a hybrid rock band/dance-vocal troupe that can perform as one big group but also split into specialized units. Living legend Yoshiki provides an idiosyncratic touch as mentor and producer, but releasing new music in a timely matter isn’t one … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. CRAVITY released a new Japanese single … Continue reading
NCT Dream’s new Japanese single Moonlight has been kicking around for a few weeks now. In fact, I first wrote about it as part of my weekly J-pop series. At that point, we were unsure whether it would receive a music video or not, but I’m glad the track has gotten the promotion it deserves. … Continue reading
Just a few weeks after the release of their first full album, Xdinary Heroes are already back with a special digital single. Their recent output left a good impression on me, so the unexpected drop of Boy Comics (소년만화) is certainly welcome. Some of my favorite moments on the group’s album were when the music … Continue reading
New girl group BADVILLAIN has pluses and minuses going for them. On the plus side, the group includes the little sister of Choi Bomin from Golden Child (a Bias List favorite, as if you didn’t know!). But they’re also called “BADVILLAIN” and that’s a really dumb name. I guess it’s meant to sound imposing, but … Continue reading
WayV returned last year with a solid album and an interesting title track. Now that summer fast approaches, their newest comeback promises something brighter and groovier. Given that one of my favorite WayV b-sides is 2020’s buoyant Electric Hearts, this is definitely welcome news. And with the NCT universe not as dominant as it used … Continue reading
On the heels of fellow EXO members D.O. and Chen, Suho has just released his newest solo album. This was preceded by Cheese, featuring fellow SM artist Wendy. That track, and new single 1 to 3 (점선면), borrow heavily from 70’s rock influences. While Cheese‘s influences felt more interesting that the song itself, 1 to … Continue reading
ARTMS have spent the past two months unveiling track after track from their debut album. To fully enjoy these pre-releases, it’s often felt like a doctorate in post-LOONA lore has been necessary. Most relied more on worldbuilding than nuts-and-bolts, satisfying song construction. But with Virtual Angel, ARTMS may finally have opened their world to the … Continue reading
Treasure attempted a reboot last summer but title track Bona Bona still hinged on many YG Entertainment tropes. The album itself was much more varied and pointed toward a sleek, nostalgic sound that worked well for the group. New single King Kong promises another reinvention and its sound nudges a bit closer to realizing that … Continue reading
I don’t really take music videos or imagery into account when writing reviews on The Bias List, but when all is said and done I’ll likely remember this era of RM’s career more for the videos than the music. The one for new single LOST! is particularly evocative — quirky, surreal and suitably claustrophobic. Whether … Continue reading
When JD1 made his debut as a K-pop idol in January, I never realized how young he was. It wasn’t until I watched him on the TVXQ episode of Immortal Songs that I learned this guy is only seventeen years old (sixteen at the time!). Perhaps this would have been more obvious if he had … Continue reading
The best thing a rookie K-pop group can do is develop their own sound that establishes them as a vital part of the industry. Just B have slowly been doing that, moving to rock influences to give their music an identifiable style. New English-language single Daddy’s Girl capitalizes on that approach. The first time I … Continue reading
While other groups are turning to Y2K influences for sound and aesthetic, ONEUS have gone right back to the source with a cover of Fin.K.L’s 2000 track Now. Straight-up covers are unusual in K-pop — especially as title tracks — and rather than bend the song to their own will ONEUS have delivered a pretty … Continue reading
One of the most enjoyable effects of K-pop’s current Y2K trend has been the return to hip-hop beats of that era. Angsty trap hi-hats seem to be on their way out in favor of bouncier, more playful grooves. This is the hip-hop sound I grew up on, so it’s bound to offer its fair share … Continue reading
Fun K-pop stuff tends to happen on my birthday. I share the day with my all-time favorite K-pop song The Chaser, as it was released exactly twelve years ago. Then last year, rookie group The Wind made their debut on May 15th. I still question why I didn’t feature any of the b-sides from that … Continue reading
If there’s one overriding trend in K-pop marketing this year, it’s double title tracks and pre-releases. It seems like every major idol group has several promoted tracks from their newest album. IVE released HEYA several weeks ago to great success, but we all knew Accendio was lurking just around the corner to satisfy fans who … Continue reading
I really wanted to love DXMON’s debut because their spiky red hair styling was too crazy to pass up, but both Burn Up and Spark felt like underdeveloped copies of better boy group tracks. This time, the spiky hair is gone but the eccentricities have transferred to the music. Girls, Love Boys, Love Girls (소년…소녀를 … Continue reading
The Bias List // K-Pop Reviews & Discussion 