At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Just like last year, I wanted to share my top twenty most-viewed posts for 2024. I find this list an interesting gauge of who is popular (at least among netizens who read reviews). The most obvious takeaway from this list is the utter dominance of girl groups. Seriously, there’s only one boy group in the … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
I haven’t listened to Rosé’s debut album yet, but judging from the promotion so far I feel that the raucous Bruno Mars duet APT. will be a sonic outlier. It’s always annoying when an album’s biggest hit sounds nothing like any other song surrounding it. This is less of a concern in the age of … Continue reading
So, I sat down and watched all three days of the MAMA Awards this year. Well… almost all three days (there was definitely some fast-forwarding). After a few years being pretty resigned to the ceremony, I was curious this year because so much of my favorite 2024 music came from artists who were big enough … Continue reading
Rosé’s first full album is just around the corner, and it’s already buoyed by a global megahit in the form of APT. with Bruno Mars. That single’s addictive sound has proven to appeal to a vast array of tastes. You know a song has broken through with the general public when they start using it … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2024 Overall Thoughts I’ve probably opened with this overused phrase during previous Octobers, but I’m … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
After years of infrequent releases, the BLACKPINK members have blitzed the market with solo singles over the past few weeks. Some of these have featured international stars, like Lisa’s duet with Spanish pop queen Rosalía. Now, it’s Rosé’s turn to join forces with a global hitmaker, pairing up with Bruno Mars for the quirky, irreverent … Continue reading
It’s not quite December yet, but I’m going to kick off this annual feature a little early this year! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2021 went. Next up is YG Entertainment. As usual, the thoughts are my own and … Continue reading
When Rosé’s On The Ground was released, I noticed that quite a few fans seemed to prefer its b-side Gone. So of course, I immediately checked it out. But more than anything, the song just reaffirmed my disinterest in this style of pop. I can’t say I’ve listened to On The Ground much since its … Continue reading
Back in the fall of 2018, BLACKPINK’s Jennie released her debut solo track, aptly titled… Solo. Unless I’m remembering things incorrectly, this was meant to be the first in a series of releases from the group’s individual members. Over two years later, the project finally resumes with the debut of Rosé’s On The Ground. A … Continue reading
The Bias List // K-Pop Reviews & Discussion 