I enjoyed Seventeen’s Hot more than most seemed to, but the song didn’t have much longevity. In fact, it’s been years since a Seventeen title track has stuck around long on my playlist. It seems that, ever since Pledis Entertainment merged with HYBE, Seventeen’s sound has lost some idiosyncratic edge. Repackage track _World is a … Continue reading
Recently, Seventeen have established an unsteady alliance with vocal processing. It’s hard to determine whether this is HYBE’s influence or simply a progression in the members’ musical taste, but it has markedly changed the group’s sound. Judging by their past few efforts, it’s almost hard to believe this is the same group that gave us … Continue reading
The Bias List launched at the beginning of 2016, making that year’s song countdown the first I published in any meaningful way. I’ve since gone back to look at 2015, 2013 and 2012 (hmmm… I guess I need to fill the holes that are left…). Now that it’s been almost six years, I thought it … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Seventeen’s newest album maintains the strength … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2022 Overall Thoughts So… we’re almost halfway through 2022 and…. hmmm. Compared to the songs … Continue reading
Seventeen’s fourth full album was preceded by their first English-language single Darl+ing, released last month. That song felt very much like a placeholder, as many pre-releases tend to be. Now that anticipation has been built, it’s time for the main course. With Hot, the guys are back with a harder-edged hip-hop track (what else is … Continue reading
It seems every big K-pop group must have their English-language single these days — or at minimum a song directly targeted toward international markets. This is an exciting development for many, but it comes with its own challenges. I don’t begrudge K-pop artists’ global success. I just hope they find it on their own terms … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2022 Overall Thoughts It’s a new K-pop year! I always feel optimistic in January because … Continue reading
Seventeen members have used the buzzword “mixtape” as a way to slowly branch out as soloists. Last time I checked, a digital single doesn’t quite count as a mixtape, but I’ll happily take new music in whatever form it’s offered. After similar efforts from Hoshi, The8, Wonwoo and Mingyu last year, Seventeen’s vocal leader Woozi … Continue reading
You simply can’t have a great K-pop comeback without eye-catching choreography. With each passing year, it’s become more vital to the industry. Dance routines are excellent for a variety of reasons, ranging from intricate “how did they do that?!?” moments to simple point moves that become trendy touchstones. This list covers both of these extremes … Continue reading
Each year, it feels like my B-Sides and Album Tracks list grows stronger and stronger. Too often, K-pop agencies miss the boat on releasing these incredible songs as title tracks. 2021 was no different, revealing a host of gems that would have topped my Singles list had they been promoted. Instead, I’ve got two days … Continue reading
Over the past couple years, KBS has moved their song festival forward to mid-December. I’ve got a bone to pick with them when it comes to this change. I mean, don’t they know I’ve got a Top 50 Countdown to wrap up?? A pre-Winter Break nap to take??? Spare a thought for us bloggers, KBS! … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
It’s not quite December yet, but I’m going to kick off this annual feature a little early this year! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2021 went. Next up is HYBE Labels. As usual, the thoughts are my own and … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2021 Overall Thoughts When I averaged all my song ratings of October, I was surprised … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Seventeen’s new mini album is strong, … Continue reading
In a disappointing month for K-pop comebacks, I’ve cast poor Seventeen as my Great Shining Hope of October. That’s a lot of pressure to put on one song, but Rock With You seemed to promise many of the elements I’ve been craving: big, bounding energy + a hooky structure (with rock guitar thrown in for … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
The Bias List // K-Pop Reviews & Discussion 