2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
December’s glut of ballads seems to have extended into January this year. It feels like all I’m doing lately is reviewing ballads, which makes it hard to come up with anything new to say. Of course, TVXQ are no stranger to big, emotive balladry – especially when it comes to their Japanese work. But one … Continue reading
Taeyeon publicly stated that 2020 was going to be a year for her to focus on her mental health, so kicking it off with the release of Dear Me (내게 들려주고 싶은 말) seems fitting. The song leads a repackage of her October album, and is a hopeful wish for her own personal strength. It’s … Continue reading
Despite its title, I’m quite confident that this list does not represent the “best” J-pop tracks of the year. It’s a much more filtered list than my K-pop countdowns, because I just don’t keep up with J-pop as strongly as I’d like to. So, what you’re getting here is twenty great tracks by artists that … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2019 Overall Thoughts December always feels like a throwaway month for K-pop, and this was … Continue reading
Honestly, I came into tonight’s festival feeling pretty pessimistic. KBS’s Gayo was largely forgettable, and tonight’s line-up was missing some of my favorite acts. But, MBC ended up balking expectations and being the most enjoyable of the three gayos overall. When I think about it, this isn’t too surprising. I’ve always loved MBC’s more intimate … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! 3.6.5 (from XOXO / Growl – 2013) 3.6.5 feels like a good track to end this (seemingly endless) K-Pop A-Z segment. It’s not a complicated or groundbreaking song, but it’s an unusually potent burst of pop energy within EXO’s discography. The track … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! 24/7 (from Don’t Mess Up My Tempo / Love Shot – 2018) 24/7 rest largely on its titular hook. Even the instrumental revolves around the same melody. Because of this, the song is a little repetitive for my taste, without enough variation … Continue reading
This is always a difficult list to form. After all, there are way more b-sides than singles to choose from each year, and with K-pop’s love of promoting genre trends, the most interesting music is often hidden within albums that not every listener bothers to check out. Following up from yesterday, I’m counting down my … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! XOXO (from Growl – 2013) XOXO lays out a solid groove and sticks with it for three minutes. It has an appealing, throwback charm even if its ambition is generally low. The percussive piano is a nice touch, but like so many … Continue reading
This is always a difficult list to form. After all, there are way more b-sides than singles to choose from each year, and with K-pop’s love of promoting genre trends, the most interesting music is often hidden within albums that not every listener bothers to check out. Today and tomorrow, I’ll be counting down my … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Wolf (from XOXO / Growl – 2013) I think it’s accurate to call Wolf EXO’s most polarizing title track. The song gets a lot of guff, labeled cheesy or cringey. And yeah, the wolf howls are a bit much. But, when you … Continue reading
The end-of-year festivals officially kicked off this Christmas, with SBS’s Gayo Daejun once again opening the three-night festivities inside the immense Gocheok Sky Dome. Unfortunately, this year’s proceedings were marred before they even started, with Red Velvet’s Wendy suffering a horrible accident during rehearsals. I’m sure that idols were (understandably) concerned about the safety of … Continue reading
Merry Christmas to those who celebrate it! In honor of the holiday, I thought I’d unwrap K-pop’s 2019 slate of seasonal songs. Whether they’ll soundtrack your holiday gatherings or not, here’s my ranking of nine of this year’s offerings. 9. Jung Seung Hwan – My Christmas Wish A whisper of a song by one of … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! With You (from Don’t Mess Up My Tempo / Love Shot – 2018) With You fades in with a beautiful tranquility that continues even as more instrumental elements are added to the track. The vaguely trip-hop beat feels unique within their discography, … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Winter Heat (from For Life – 2016) With all the winter songs EXO have recording, I feel like I’ve said all I can say about this kind of track. Winter Heat’s dynamic percussion allows it to stand out a bit, with each … Continue reading
Red Velvet’s ReVe Festival series has seem them blitzing through a variety of styles with all the whiplash of a good carnival ride. Though I wasn’t too hot on it in the moment, the polarizing Zimzalabim remains my favorite title track from the project. It encompassed their quirky “red” side, which has always been my … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! White Noise (from Ex’Act / Lotto – 2016) The first thing you’ll notice about White Noise is its odd, herky-jerky percussion that feels as if its constantly fighting to keep up with itself. This helps to forge experimental verses that take a … Continue reading
The Bias List // K-Pop Reviews & Discussion 