There are two ways to approach NCT Dream’s Go, and each will color your perception of the song in vastly different ways. Up until now, Dream has acted as the pop-oriented unit of NCT, and the delivery method for the music most closely aligned with my personal taste. Their 2017 My First And Last remains … Continue reading
When Super Junior made their long-awaited comeback late last year, member Sungmin did not participate. You may assume this was due to some terrible crime or clash of personalities, but this self-imposed exile really came down to one factor — and it’s one of the stupidest “controversies” in recent k-pop memory. The guy got married … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2018 Overall Thoughts When it comes to k-pop, I was dreading February. Between the Pyeongchang … Continue reading
As we continue to build towards the unveiling of NCT‘s first full-length album, Baby Don’t Stop is the second volley in a series of pre-releases by sub-units of the group. Last week’s Boss set the bar pretty high, but to be honest I didn’t expect much from Stop. Taeyong and Ten are two of NCT’s most … Continue reading
Just over two weeks ago, BoA pre-released single Nega Dola. I was a bit hesitant with the song, but it’s since grown on me quite a bit. That’s one of the frustrating things about end-of-the-month releases. I never really get to reflect their growth in my “top 3 k-pop songs of the month” round-ups. One … Continue reading
This year, NCT have finally embarked on a promotional cycle as ambitious as their unique configuration. Over the next few weeks, we’ll be treated to new releases by various units within the now 18-member group — all leading up to their first full album. To kick things off, NCT U (a rotational unit free from genre … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Fans of BoA are quite spoiled this February, with both … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. EXO’s new Japanese album is absolutely fantastic from start to … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2018 Overall Thoughts It’s a brand new year, which means all possibilities are on the … Continue reading
On her currently-streaming documentary, BoA has professed a desire to release music that appeals to the current generation of k-pop fans. Her concerns are valid: Why listen to an established artist like BoA when there are so many younger, trendier groups on the scene? Why not fuel her choreography with a simple, meme-ready point move … Continue reading
Calling your album “The Perfect Red Velvet” sure sets expectations sky high, but Red Velvet have gradually been blending their quirky pop and r&b sides for the past year or so. It’s surprising, then, that new single Bad Boy borrows almost exclusively from their “velvet” persona, spotlighting the girls’ voices over a minimalist trap/r&b beat. … Continue reading
Super Junior is home to many solo and sub-unit projects, but none has been quite as enduring as D&E. Composed of members Donghae and Eunhyuk, the duo has crafted an impressive discography of their own and enjoyed massive success in Japan. It’s worth mentioning that I didn’t consider the brilliantly bonkers Can You Feel It … Continue reading
When considering a review of Jonghyun’s posthumous single Shinin‘, I struggled with how to structure my thoughts. As his final comeback, it didn’t feel right to look at the song through a critical lens. I respect his craft so much, but there hasn’t always been a huge overlap between his musical sensibilities and mine. This … Continue reading
Japanese releases by k-pop artists can be very hit and miss, but if any agency has managed a consistently solid j-pop catalog for their artists, it’s SM Entertainment. They’ve nurtured massive success overseas with TVXQ, Girls’ Generation and SHINee in particular, and for awhile I’ve wondered why EXO haven’t been given the same Japanese spotlight. … Continue reading
It’s been almost two years since we’ve heard from NCT U, and that in itself illustrates some of the frustration with SM Entertainment’s NCT project. When the concept was first announced, we were promised an ever-expanding roster of units, but 2017 only afforded opportunities for NCT 127 and NCT Dream to promote. I love both … Continue reading
At this point, I think I’d rather SM Entertainment abandon their digital Station project to focus more completely on full-fledged comebacks. It’s not that Station hasn’t resulted in some standout songs, but overall last year’s discography felt pretty forgettable. I fear that, rather than adding to artists’ catalogs in an interesting way, many of the … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2017 Overall Thoughts 2017 certainly ended with a whimper. December is usually a pretty barren month, … Continue reading
MBC’s Gayo Daejejun had the best theme of the three end-of-year specials, and as usual it had the most stacked line-up. But I can’t help but feel like it lacked the kind of watercooler moments that make these specials so thrilling. The idea of pairing idol groups with fans resulted in some really endearing performances. … Continue reading
More often than not the KBS Gayo feels like the most intimate of the three end-of-year festivals, held in a theater rather than a stadium. This has its pluses and minuses, but the idea to structure this year’s special more like a traditional concert was an interesting choice. It was one made out of necessity, … Continue reading
Having released over seventy (!) singles, there aren’t many genres that BoA hasn’t tackled. But the electroswing of Jazzclub is definitely a new one. The single comes from her upcoming Japanese album, which will be her first full-length in any country since 2015. I can’t imagine that the entire thing will sound as distinctive as … Continue reading
The Bias List // K-Pop Reviews & Discussion 