At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2024 Overall Thoughts Okay, this year’s already a little weird. We kicked off with an … Continue reading
As covered in my review of pre-release Rose, Super Junior-D&E’s GGB has been mired in controversy over the implications of its title. As a foreign listener without the cultural context to be offended, it’s easier for me to ignore this and focus on the merits of the song itself, though I don’t understand why the … Continue reading
Super Junior-D&E haven’t even made their comeback yet, but it’s already embroiled in controversy. Title track GGB will not be performed on music shows after its title was deemed derogatory toward women. Honestly. I had to look up what “GGB” means before I realized that the real issue likely stems from the Korean version of … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2021 Overall Thoughts We may still have December before us, but according to the norms … Continue reading
A decade after their debut as a sub-unit, Super Junior-D&E have finally released their first full Korean album. That’s a long wait, softened by the fact the guys have been active in Japan as well. Countdown was preceded by solo efforts from both Donghae and Eunhyuk, though neither of those tracks are included in the … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
This week, we’re journeying back half a decade to look at K-pop’s best releases of 2015! 2015 was a prime year for K-pop. It saw the return of industry royalty, as Bigbang blitzed the market with no less than seven singles. It acted as the launchpad for many of today’s top acts (Twice, Seventeen, GFriend, … Continue reading
SM Entertainment has always scheduled quick repackage releases, but Super Junior-D&E’s Bad Liar emerges in what feels like record time. Not even a month has gone by since the guys dropped B.A.D. But then again, SM’s release schedule has been unusually packed all month, and this frenzied rush doesn’t seem as though it will slow … Continue reading
When last we heard from Donghae and Eunhyuk, they were trying to convince us how dangerous they were. I wasn’t totally sold on the concept, but now they’re back with B.A.D – another attempt at bad boy posturing. This time, the sentiment feels a little more authentic, thanks to a few musical touches that stray … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! December … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since opening Label SJ (a sub-label supported by SM Entertainment), Super Junior have taken a more active role in the production of their music. This is (understandably) the ultimate goal for many idol artists, but it doesn’t always end up creating the strongest material. In Super Junior’s case, the added input has resulted in an … Continue reading
Since returning from their military enlistment, Super Junior’s Donghae and Eunhyuk have released a steady stream of music in Japan, culminating in their recently unveiled album Style. But, it’s been over three years since the duo was last active in Korea. The shadow of 2015’s Growing Pains looms large over their music, standing as a … Continue reading
After kicking off a series of digital singles with last November’s Here We Are, Super Junior’s Donghae and Eunhyuk are on the cusp of dropping their first Japanese album in three years. For whatever reason, SM Entertainment never seemed that intent on establishing Super Junior in the Japanese market, but these two have found success … Continue reading
Super Junior is home to many solo and sub-unit projects, but none has been quite as enduring as D&E. Composed of members Donghae and Eunhyuk, the duo has crafted an impressive discography of their own and enjoyed massive success in Japan. It’s worth mentioning that I didn’t consider the brilliantly bonkers Can You Feel It … Continue reading
Now that three of its most popular members have completed their mandatory military service, Super Junior is wasting no time re-establishing themselves in multiple markets. This includes new material from sub-unit D&E, consisting of members Donghae and Eunhyuk. This duo has been a reliable source of upbeat, party-starting music in the past — most notably … Continue reading
The Bias List // K-Pop Reviews & Discussion 