Rather than a full-fledged comeback, Lonely (종현) is part of the second half of Jonghyun’s Story OP project, which collects songs he’s written based on stories sent in by listeners of his now-completed Blue Night radio program. It’s an interesting conceit for an album, and the work itself couldn’t be more different than the material … Continue reading
So far in 2017, SM Entertainment has released ten title tracks. About a third of those have belonged to Girls’ Generation leader Taeyeon. The agency has worked hard to foster her solo career, and her sales numbers certainly back that up. But unlike other listeners, I wasn’t 100% sold on this idea until February’s My Voice album release. … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2017 Overall Thoughts If I could describe February with only one word, it would be “consistent.” … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Listening to the preview clips of Taeyeon’s new album, I … Continue reading
Girls’ Generation‘s Taeyeon has been all over the k-pop map this past year. Few artists have embarked on such a sprawling solo career, covering the spectrum from acoustic pop balladry to tropical house-influenced dance. Most recently, she teased us with the hypnotic I Got Love, which seemed to polarize opinion. For me, it was one … Continue reading
Taeyeon has been churning out solo material at an incredibly consistent pace since 2015’s I. Along with Mark from NCT, I’d argue that she’s become SM’s busiest single artist. I haven’t been a fan of everything she’s released, but I respect the diverse discography that she’s building. There aren’t a whole lot of solo female acts … Continue reading
It was a night of emotional acceptance speeches, expensive set pieces and, of course, a little behind-the-scenes drama as well. The MAMA Awards are always an exciting, larger than life capper on the year of k-pop, and this year’s broadcast was strong in a number of ways. But as with all award shows dedicated to … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
A day after YG’s BLACKPINK released the minimalist acoustic ballad Stay, SM Entertainment counter punches with its own version in the form of Taeyeon’s 11:11. But unlike the former’s flirtation with tempo change and folk elements, 11:11 plays it straight down the middle. Surprisingly, this no-nonsense approach actually pays off. More than any other … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. LDN NOISE … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. I was a little (or maybe a lot) harsh on Taeyeon … Continue reading
By sheer number of releases alone, SM Entertainment has had quite a year. But despite being responsible for a handful of 2016’s best tracks, they’ve also fallen into a bit of a rut when it comes to repeating sounds. Their focus on international house beats worked brilliantly on Shinee’s View last year, but I can’t help … Continue reading
SM Entertainment keeps their solo comebacks chugging along with Starlight, which is a prerelease for Taeyeon’s second album. Title track Why promises something more informed by dance music, but Starlight takes a laid back approach. It also pairs Taeyeon with up-and-comer DEAN, which feels like a smart business move for both of them. In fact, … Continue reading
I was one of the (very) few who didn’t care for Taeyeon’s solo debut, I. I understand why it was such a big hit, and why so many loved it. My qualms came down to personal taste more than anything. Still, the fact that I was less enamored than most led me to approach Rain without … Continue reading
Amoeba Culture is really a label on the rise. Fueled by the incredible success of Zion.T, they’ve cultivated a stable of artists that are at the forefront of Korean r&b. While not having the same unique character to his vocals as Zion.T, Crush has already proven himself a hitmaker despite being a relatively fresh debut. … Continue reading
The Bias List // K-Pop Reviews & Discussion 