After revealing the rocky, anthemic pre-release Back To Me last week, The Rose have returned with their latest single Alive. Like Back To Me, this is an English-language release. It sees the group tackling a groovier sound than normal — even incorporating a dubstep-influenced breakdown before the bridge. This experimentation is welcome, especially since I … Continue reading
The end of the year on The Bias List always feels like the K-pop Olympics. I spend 365 days writing about every major (and most minor) releases, and it all culminates in a weeks-long celebration of great music. Yes, there was great music in 2022. We also had to wade through a boatload of not-so-great … Continue reading
The Rose have made a grand return with their first full-length album. It’s a hard-won comeback, arriving on the heels of a legal battle with their former agency. And while I may not have been particularly hyped about it in the beginning, pre-release Childhood caught my ear a few weeks ago. I still think it’s … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2022 Overall Thoughts Well, September was certainly a contrast to August! With hindsight, August was … Continue reading
The Rose have been mostly absent from the K-pop industry for a few years now, completing their military service and moving to a new label after filing a lawsuit against their former agency. They managed to release a couple one-off singles during that time and frontman Woosung continued to grow his solo discography. But in … Continue reading
It’s been over two years since The Rose’s Kim Woosung released his first mini album, though he returned with digital single Lazy earlier this year. His material usually maintains an alternative edge while flirting with pop sounds. In a trendy but welcome shift, he’s put on his disco shoes and sparkly shirt to deliver the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2019 Overall Thoughts I was certain that August was an improvement over July, but after … Continue reading
Less than a month after the release of frontman Kim Woosung’s solo album, The Rose has returned with their fifth single. Woosung’s song has already grown on me, and that’s largely thanks to its uptempo, summer-friendly energy. Red follows suit, offering a more electronic sound than most of the band’s past work. It’s a welcome … Continue reading
With little attention from the K-pop industry as a whole, idol band The Rose seems to have cultivated a dedicated international fan base — enough for the group to launch tour dates around the world. They may only have a few singles under their belt, but the band has already spawned a solo album from … Continue reading
It may seem like DAY6 have cornered the market on emotive idol rock, but The Rose are slowly building a passionate fan base that positions them well for future releases. However, I still need more convincing before I jump on the bandwagon. April’s Baby offered a flash of potential, undercut by its affected vocals and … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2018 Overall Thoughts In my mind, April represents the beginning of k-pop’s peak season. From … Continue reading
Idol band The Rose seemed to come out of nowhere last summer, but quickly developed a moderate amount of internet buzz even though Korea has mostly ignored them. To be honest, I didn’t quite understand what all the fuss was about. Past tracks Sorry and Like We Used To were pleasant bursts of modern rock, … Continue reading
The Bias List // K-Pop Reviews & Discussion 