It was an odd year for award shows. With MNET embroiled in its vote-rigging controversy, the MAMA awards felt like an afterthought, broadcast only one night rather than its usual multi-day spread. The Melon awards weren’t even telecast, opting for streaming instead. Even so, their staging and production felt incredibly grand. In comparison, the MAMAs … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2019 Overall Thoughts While November was not the blockbuster month that October was, it offered … Continue reading
Much like Cat & Dog, the first time I heard TXT’s Angel Or Devil I was not particularly impressed. And also like Cat & Dog, I quickly became addicted to its goofy charm and now consider it an album highlight. Such is the power of TXT, I suppose. Seriously though, they have an uncanny ability … Continue reading
I’ve already offered my thoughts on the 2019 prospects of SM Entertainment, YG Entertainment and JYP Entertainment, but this year I’m adding a new agency to the fray. Big Hit Entertainment‘s achievements more than qualify them for the full-article analysis, so here we go! As usual, the thoughts are my own and aren’t privy to any … Continue reading
Like BTS before them, TXT have taken to promoting more than one song from their albums. This approach allows for several big-budget music videos, and Big Hit seem intent on fusing a sense of fantasy lore to TXT’s already-compelling persona. For Magic Island, the guys have delivered a thirteen-minute short film, utilizing part of the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2019 Overall Thoughts Well, friends, we have finally climbed out of the murk! October was … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I consider TXT’s debut mini album to be pretty close to … Continue reading
It’s been a long road to TXT’s first comeback. Originally scheduled for August, Run Away (9와 4분의 3 승강장에서 너를 기다려) arrives after two postponements, increasing anticipation for where the group’s music would go next. TXT has been pitched as a lighter, more pop-informed version of agency-mates BTS, and this approach resulted in a knockout … Continue reading
Reviews are only a snapshot in time, which means that many of the songs I write about will rise or fall as the months go on. I tend to be pretty moderate in my reviews, so none of these following selections have moved drastically from my original thoughts, but the first half of 2019 definitely … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. MELANIE FONTANA … Continue reading
Now that I’ve looked at the year’s best singles, it’s time to spotlight the standout albums of 2019’s first six months. It’s been a relatively solid year for albums so far, though not as strong as 2018 at this same point. As usual, minis have been more plentiful than full albums — especially when it … Continue reading
So far, 2019 has been an odd year for K-pop. If I were to sum it up, these first six months have pinballed between “thrilling” and “frustrating.” Taken as a whole, I think 2019 easily usurps 2018 at this same point. But, many of my favorite songs were released in close proximity to one another … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2019 Overall Thoughts After a March that included some of my favorite songs of the … Continue reading
I adore TXT’s debut mini album, and I wouldn’t be at all surprised if they end 2019 as my favorite rookies of the year. Yet, when I heard that Cat & Dog (of all tracks) was selected to be a follow-up to the brilliant Crown, I wasn’t sure how to feel. In the context of … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2019 Overall Thoughts After a slow start to 2019, March finally seemed to kick things … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. I wouldn’t have expected it, but I am fully aboard the … Continue reading
One of my biggest K-pop new year’s wishes was that boy groups would ditch the moodiness and go brighter, so I was delighted when it was announced that Big Hit’s new group TXT would debut with an upbeat, youthful concept. Based on agency clout alone, the guys were destined for massive out-of-the-gate success — the … Continue reading
The Bias List // K-Pop Reviews & Discussion 