2018 was a fantastic year when it came to album tracks. In fact, many of them were stronger (and more interesting) than their title track counterparts. This makes for a very competitive top 40 list, as well as a host of honorable mentions. Honestly, I could’ve tripled the amount of honorable mentions and still had … Continue reading
Over the course of their three year career, UP10TION have never developed a signature style. Instead, they pinball from concept to concept, making their comebacks quite unpredictable. Over the past few years, they’ve released some of my favorite K-pop tracks (exhibits A, B). But, just as often, they’ve returned with subpar material that feels too … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Sweetch Years … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s no secret that K-pop takes much of its influence from … Continue reading
Give me a K or J-pop song with the title “Chaser” and I’ll instantly be triggered. I’ve written at length about how I consider Infinite’s The Chaser to be the best K-pop song of all time. It’s so outstanding that they might as well retire the word “chaser” from the K-pop lexicon entirely. But here … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ESBEE Years … Continue reading
When I think of the current k-pop climate, UP10TION are an interesting case. I wouldn’t consider them to be one of my personal bias groups, yet they’ve managed to score a place in my year-end top ten songs list for two years straight. They’re also a group who swings from one collaborator to the next … Continue reading
