In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
One of the quirks of The Bias List is my hesitancy to give 10/10 scores right off the bat. I just don’t know that you can measure perfection on release day, nor do I think a perfect score is attainable without some time and experience. This approach doesn’t exactly jibe with “OMG SOTY” internet culture, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2020 Overall Thoughts It always feels like a bit of a comedown posting one of … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2020 Overall Thoughts November was absolutely packed with releases, and though only one title track … Continue reading
Remember WARPs? They came out of nowhere last December with the brilliant Rock Tonight, which ended up being one of my favorite J-pop tracks of 2019. Then, they seemed to disappear off the face of the earth. This isn’t too surprising, as I’m sure the COVID pandemic played a part in derailing whatever plans they … Continue reading
Despite its title, I’m quite confident that this list does not represent the “best” J-pop tracks of the year. It’s a much more filtered list than my K-pop countdowns, because I just don’t keep up with J-pop as strongly as I’d like to. So, what you’re getting here is twenty great tracks by artists that … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2019 Overall Thoughts December always feels like a throwaway month for K-pop, and this was … Continue reading
Dear Bias List readers: this is the kind of beat that makes me deliriously happy. Growing up, Michael and Janet Jackson’s discographies were my definition of pop perfection, and that really hasn’t changed. Give me a bright, funky instrumental and I’m happy. Add a powerful kick and layers upon layers of rhythm and I’ve reached … Continue reading
The Bias List // K-Pop Reviews & Discussion 