Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
As I impatiently wait for some of my favorite acts to make long-overdue comebacks, it made me wonder how long the longest K-pop hiatuses have been. So, I did some research! The following statistics are rounded by month rather than specific days, unless there was a tie between two acts. I’ve kept my focus to … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
So far, 2019 has been an odd year for K-pop. If I were to sum it up, these first six months have pinballed between “thrilling” and “frustrating.” Taken as a whole, I think 2019 easily usurps 2018 at this same point. But, many of my favorite songs were released in close proximity to one another … Continue reading
It’s that time of year again. The sun comes out, the temperature climbs, and K-pop goes tropical! Well, it wasn’t always this way. A few years ago, summer didn’t instantly mean tropical pop music, and I hope we’re working our way out of this persistent trend. But tropical or not, many of my top K-pop … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2019 Overall Thoughts After an underwhelming April, the month of May began to right the … Continue reading
I’ve always appreciated Woollim Entertainment’s ability to curate music that stays true to its artists’ personas. While so many others rush to jump on whatever’s popular at the moment, a group like Lovelyz slowly but surely crafts a cohesive discography that feels like an intentional body of work rather than a ‘try everything and see … Continue reading
Before enlisting in the military, two out of three members of Infinite have preceded their absence with a solo album. Now that main vocal Woohyun’s back with new material, I can’t help but think he’ll be going on hiatus soon. This makes Hold On Me bittersweet, to say the least. Woohyun faces stiff competition, but … Continue reading
As you might have guessed from reading my glowing end-of-year coverage, Golden Child have become my personal bias group from this new generation of K-pop. So what happens when my favorite group releases a song based on one of my least favorite genres? To be fair, Spring Again (그러다 봄) isn’t really an official comeback. … Continue reading
Like so many K-pop groups, Lovelyz is perfectly poised to bolster their fan base through the addition of solo and sub-unit promotions. Woollim Entertainment did a great job harnessing this potential with Infinite, but apart from a few digital releases here and there, Lovelyz’s output has been almost entirely group-based. Hopefully that will change soon, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2019 Overall Thoughts After a slow start to 2019, March finally seemed to kick things … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Dongwoo’s double title tracks split opinion on this site, but I’m … Continue reading
Double title tracks seemed to be all the rage a few years ago, but we don’t see much of them anymore. Woollim Entertainment has a history of this tactic, previously promoting two singles from Sungkyu’s 2015 album. It’s a great way to showcase multiple sounds. In Dongwoo’s case, the exciting Party Girl makes up for … Continue reading
Nearly nine years after his group’s debut, Infinite’s Dongwoo has finally released a solo album. Its been a long time coming. As one half of successful sub-unit Infinite H, his talent as a vocalist and rapper have positioned him to take on styles that aren’t usually associated with Infinite’s music. As a rabid Infinite fan, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2019 Overall Thoughts We’re deep in the winter doldrums, and that’s exactly what February’s K-pop … Continue reading
You all knew I was going to cover Joochan’s special digital single, right? A ballad like this isn’t something I usually get excited about, but now that Golden Child have transformed into an official Bias List… erm… bias, I’m happy to pontificate about anything they give us. Hong Joochan is one of the group’s two … Continue reading
It feels like an Infinite comeback has been imminent for months now, especially when the group first performed Clock on the new year. Fans like me were hoping for an album of some sort, but that’s still only a prospect for later in 2019. Instead, we get what essentially amounts to a fan song, given … Continue reading
It’s time to flash back seven years to 2012, an era of huge choruses, thumping dance beats and an endless supply of sci-fi influenced music videos. 2012’s charms were endless, but here are fifty of the absolute best singles. To be eligible for this top fifty list, songs must have had a Korean release as … Continue reading
The Bias List // K-Pop Reviews & Discussion 