At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Young Posse have had a very mixed track record on this blog, and lately it’s trending for the worse. I enjoy what they do in theory — especially when they focus on the classic touchstones of the genres they reference. Too often, their music gets caught up in gimmicky catchphrases and “experimental” production that tends … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Unexpectedly, the summer of 2026 is becoming the summer of Kara. Just last week, buzzy group RESCENE released a note-for-note cover of their 2008 hit Pretty Girl and now Young Posse have delivered a song built on a sample of the 2009 blockbuster Mr. While it’s nice to be reminded of K-pop classics, I wish … Continue reading
I generally consider myself a pretty positive, optimistic person and really want this blog to be a space that focuses on the good, but 2026 has been a uniquely challenging year when it comes to K-pop releases. I can’t remember a year where I wrote as many negative reviews, so I’m going to try something … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2026 Overall Thoughts I’ve been doing this K-pop thing long enough to know that slumps … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
After exploring various sub-genres of hip-hop (my favorite being 90s G-funk), Young Posse have turned their attention toward a sound closer to hyperpop. This resulted in the utterly awful Visa earlier this year, but they’ve managed some refinement since then. New single We Don’t Go To Bed Tonight is much more palatable. There’s a great … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
We seem to be in K-pop’s era of “rage hip-hop,” as the genre has slowly entrenched itself within idol releases. So far, this has largely been limited to a boy group phenomenon, but it makes sense that an act like Young Posse would give it a try. After all, they’ve covered many hip-hop sub-genres already. … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In a way, Young Posse were ahead of their time. There’s this garish brand of “quirky” that’s taken over K-pop lately. Think Katseye’s Gnarly or LE SSERAFIM’s Spaghetti. Some of these work better than others (I happen to love the latter), but they share the same approach of placing meme culture ahead of anything else. … Continue reading
After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Thus far in their career, Young Posse have waffled between quirky, colorful music and more subdued bids to be taken seriously in the hip-hop realm. They’re at their best somewhere in the middle, such as last year’s fun 90’s throwback Ate That. New single Freestyle borrows some of this energy but also falls victim to … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
While it was easy to pigeonhole Young Posse as a joke when they first emerged, last year’s g-funk nodding Ate That found the perfect balance between funny and awesome. There’s a huge gap in the market for colorful hip-hop that doesn’t take itself too seriously, and Young Posse feel uniquely equipped to fill it. Because … Continue reading
Following a tradition first established in 2020, I’m celebrating the holidays today with the opening of gifts. These packages come in the form of seasonal K-pop tracks not yet reviewed on the blog. Like last year, I’m either keeping the gifts or planning to return them. Unfortunately, there was a lot of coal in the … Continue reading
