Hyolyn didn’t waste any time continuing her solo career after the break-up of Sistar, which isn’t all that surprising considering how active she’s been over the past year or so. Her work seems to be most successful when she’s paired with another artist to play off of. In the case of Fruity, rapper Kisum was … Continue reading
Okay, we’re going to have to start an intervention here. We’ve truly reached a breaking point with this tropical house/tropical pop trend. I know I sound like a broken record, but it’s gotten to the point where every other new comeback (especially boy groups) has become a cut-and-paste job with the same beats and the … Continue reading
When Shannon Williams was first announced as a contestant for the final season of K-Pop Star, I was skeptical about how it would all work out for her. She has obvious talent, and released a wickedly catchy little pop song in 2015’s underrated Why Why, but never seemed to amass the sort of passionate following … Continue reading
Some songs just scream summer. And with July approaching, I’m hoping to hear quite a few of them soon. But the first single to really embrace the sunny pop stylings of the season isn’t actually from Korea. Japan beat k-pop to the prize in the form of Junho’s deliriously catchy Ice Cream. Given his stature … Continue reading
Though he’s released a handful of singles and composed tracks for some of k-pop’s biggest artists, G.Soul has yet to break through in the way that other acts of his genre have. Part of me wonders if his famously long training time actually hurt him. It’s hard to seem fresh and new if listeners know … Continue reading
Heize has become something of an ‘it girl’ in Korea, rising to the top of the charts with each release. This is helped along by the nature of her music, which feels alternative by k-pop standards. Male soloists like Crush and Dean have found success with a softer blend of r&b, hip-hop and balladry, but … Continue reading
Shinee‘s Taemin has long been one of k-pop’s most arresting performers, and Japan has taken note of that as well. Last summer, he launched his solo j-pop career with the captivating Sayonara Hitori, which was later remade into Korean single Goodbye. For his 2017 follow-up, he hasn’t strayed too far from that sound, taking things … Continue reading
When it comes to songs, the k-pop landscape has been in a relatively safe, internationally-minded place for a while now. So when I saw that Stellar‘s new single was going to be called Archangels Of The Sephiroth (세피로트의 나무), my interest was instantly piqued. Not only is it a badass, obscure and off-the-wall title, but … Continue reading
While girl group Apink‘s first few years marked them as a reliably strong purveyor of sugary-sweet pop music, their last few releases have been mired in the same “been there, done that” feeling of repetition. They’re not a group that has ever pushed many boundaries musically or image-wise, but it may be time for a … Continue reading
Being a relatively new genre, modern k-pop has few acts that could rightly be considered legends, but I think it’s safe to say that BoA fits the bill. Active for seventeen years now, she’s conquered not only Korea but most of Southeast Asia as well. And now that she’s fresh off her stint as the … Continue reading
As the monthly LOONA releases have continued to roll out, the girls’ material has seemed to grow sleeker and more mature. With so many different sounds and genres touched upon, it’s exciting to imagine what the final group will actually look and sound like. Last month’s Eclipse was an intriguing peek into a more ethereal … Continue reading
Though ultimately brought down by member departures and poor management, during their heyday boy group MBLAQ were vying for the k-pop a-list. They were initially notable for their ties with superstar Rain, but went on to release a string of cutting edge hits that more than secured their place in k-pop. Here are the very … Continue reading
After taking a mid-year review of 2017’s songs last week, it’s time for the albums. In a landscape shifting more and more towards the digital single, I’ve been a longtime proponent of the classic pop album. 2017 hasn’t given us all that many, but there have definitely been a few standouts. Here are my favorites … Continue reading
Though he got his start as a member of SMent sub-unit Super Junior M, Henry has become more widely known for his appearances in variety, dramas and as a solo artist. Lately, he’s seemed to take more creative control over his output, delivering a series of digital tracks that have helped to remind listeners that … Continue reading
November’s Decalcomanie felt like a watershed moment for Mamamoo, giving them one of their biggest hits (and choruses) yet. It was always going to be a hard act to follow, but the group has an advantage this time around. After hits like Um Oh Ah Yeh and Mr. Ambiguous, Mamamoo have become somewhat synonymous with … Continue reading
Much has been made about BLACKPINK essentially being a replacement group for the now-disbanded 2NE1. And I get it. There are four of them, they’re part of YG Entertainment, and they work with the same producers that crafted 2NE1’s sound. In the case of new single As If It’s Your Last (마지막처럼), we’re likely dealing … Continue reading
I’ve often noted the difference between sounds when it comes to a group’s Korean and Japanese releases, and this diversity has become especially noticeable with boy group 100%. In Korea, they’ve moved toward a statelier, mature pop sound that emphasizes the strength of their voices. But in Japan, their music has grown more dance oriented … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. NCT 127’s Cherry Bomb has already grown on me quite … Continue reading
Monsta X are one of a few new wave boy groups who have enjoyed steadily increasing success since their debut. Their pursuit of a harder-edged sound hasn’t always been to my taste, but as they progress it feels like they’re beginning to incorporate some very BTS-like emotional weight to their music. While this seems like … Continue reading
Groups with numbers as part of their name can be tricky in the ever-changing world of k-pop. Nine Muses haven’t had nine members in some time, and now they’re all the way down to four. That’s not exactly “truth in advertising.” But with so many groups of their age disbanding, it’s a small miracle that … Continue reading
The Bias List // K-Pop Reviews & Discussion 