The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
We’re now at the point where I’m writing about these V solo songs out of sheer stubbornness. It’s like Pokémon — you gotta catch them all! Never mind the fact that I have nothing new to add to my existing thoughts. For Us is the fifth (!) music video to spawn from his debut solo … Continue reading
There are better people than me to recount the long, sordid saga of LOONA’s relationship with former agency Blockberry Creative. Suffice it to say, there are five members remaining and they’ve re-formed as “Loossemble” — one of the most unfortunate group names I’ve heard in some time. Fresh starts like this have worked for other … Continue reading
As global K-pop collaborations become more frequent, the pairing of talents matters more and more. Which artists can compliment each other and tease out new dynamics? When it comes to TXT, I found their pairing with Jonas Brothers quite cloying. In that case, the song highlighted a milquetoast, kid’s movie soundtrack vibe that some of … Continue reading
Given Johnny’s & Associates’ recent implosion, I’m paying close attention to Hideaki Takizawa’s newly-established TOBE label, which is becoming a home to more and more ex-Johnny’s talents. I have my own take on the J&A controversy (mostly, I’m irritated that the agency’s talents seem to be the ones paying for their late founder’s crimes), but … Continue reading
It’s getting harder to distinguish between a proper comeback mv and a “special mv” in K-pop, but BBGirls’ Lemonade deserves at least a brief write-up. Despite its repetitive structure, comeback One More Time ended up growing on me. It makes for a great singalong while driving! Lemonade is funkier and groovier, taking a more laid-back … Continue reading
It’s been a year since Mimiirose made their debut with the promising Rose. That’s a long hiatus for a rookie group, making follow-up single Flirting quite important. Listening to their first album, Mimiirose’s potential was obvious. Now’s the time to capitalize on that and remind fans why they’re a vital part of the K-pop landscape. … Continue reading
Project group EL7Z UP hails from this year’s Queendom Puzzle competition show, which aired its finale on August 15th. In only a month’s time, they’ve made their debut with Cheeky. That’s some quick movement! The group consists of members from Lovelyz, CLC, Rocket Punch, WJSN, Purple Kiss, H1-Key and woo!ah!. There’s clearly a ton of … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. One of the composers I miss … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m sure readers are as tired … Continue reading
HYBE’s love for releasing multiple music videos from each project really messes with my review system! Do I write about every one of them? For a release as high-profile as V’s solo album, it seems silly not to. Yet, I find myself essentially copying and pasting my thoughts from song to song. I’m not sure … Continue reading
POW may not be debuting for another month, but they’re following a recent K-pop trend by pre-releasing a track to familiarize audiences with their style. This tactic may muddy the waters a bit, but it feels like a good way to announce yourself with relatively low risk and start building a fan base before that … Continue reading
Hur Youngji has had an unusual career path, joining girl group Kara in 2014 via reality TV series and releasing a few albums with them during the group’s twilight years. Then, she participated in their big reunion album late last year. In between, she’s acted, performed with agency-mates KARD and flirted with a solo career. … Continue reading
Well, isn’t this a nice surprise? Not only is this Weeekly’s first new track in ages, but it’s a fan song that’s actually upbeat and fun! Good Day (Special Daileee)‘s effusiveness won’t be for everyone, but I enjoyed its fizzy burst of pop melodies right from the start. The song’s EDM sound and chorused vocals … Continue reading
Over the past two years, CRAVITY have adopted a brighter pop style and released the best music of their career. They’ve been on a roll, though pre-release Cheese stalled that momentum a bit. New title track Ready Or Not continues to play with bright boy group sounds, but it’s their most generic title track in … Continue reading
Following winter’s excellent Killer, SHINee’s Key is back with new mini album Good & Great and its title track of the same name. Key is one of those idols I know I can count on to deliver a strong dance track, driven by his unique vision and effortless charisma. Good & Great retains most of … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
In the lead up to his second mini album, EXO’s D.O. has pre-released the gentle I Do (별 떨어진다). If past songs are any indication, “gentle” is likely to be an apt descriptor for this album. Like many idols-turned-solo, D.O. seems to prefer this light, coffeehouse sound. But unlike some idols, D.O. has the vocal … Continue reading
Ryugujo (龍宮城) are one of a handful of newer J-pop acts with permanent occupancy on my playlist. Year 0, Class 0, the survival series that formed them, remains my favorite TV show of the year and their partnership with Queen Bee’s Avu-chan makes them an exciting new voice in music. 2 MUCH leads their first … Continue reading
While some BTS members have aimed straight for the top of the charts with their solo work, others have taken a more niche route that compliments their personal taste. In V’s case, that means an album of lo-fi, smooth jazzy sounds. It’s clearly a style he enjoys and it works well with his voice, even … Continue reading
The Bias List // K-Pop Reviews & Discussion 