A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Seulgi’s debut mini album blossoms as … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There are at least three songs … Continue reading
It’s Sunday, which means it’s time to end the week with an open discussion post! To keep things civil, there are a few rules: Be kind and respectful to one another. Any harassing language will be deleted. This is not a place to state what you don’t like about me and/or my blog. Move elsewhere, … Continue reading
Treasure’s new mini album feels a little looser and livelier than usual. I like this side of them – and of YG artists in general. Immediately following the EDM party-starter Hello, we have a hard left turn into rock-fueled hip-hop. Sub-unit track VolKno is a tour de force of the group’s talents, opening another new … Continue reading
The Rose have made a grand return with their first full-length album. It’s a hard-won comeback, arriving on the heels of a legal battle with their former agency. And while I may not have been particularly hyped about it in the beginning, pre-release Childhood caught my ear a few weeks ago. I still think it’s … Continue reading
Looking back over the past two years, The Boyz’ strongest material hasn’t been promoted as title tracks. There have been a number of missed opportunities – songs deserving of a bigger audience. Last Man Standing continues this pattern. As a collaboration with the TI League Of Legends team and DJ/producer Raiden, the track might pass … Continue reading
Stray Kids have become one of a handful of groups defining the sound of K-pop’s fourth generation. Early on, I was a huge fan of their rap-meets-rock sound and its ensuing foray into EDM and trance. Since 2020, my interest in their music has become more hit and miss. The spark of creativity remains, but … Continue reading
It’s been gratifying to watch DKZ’s (formerly Dongkiz) glow-up. Their ascent has nothing to do with the quality of their music and everything to do with member Jaechan’s sudden popularity as an actor. But, that’s just how the K-pop industry works. However they needed to do it, I’m happy DKZ have found success. But, I’d … Continue reading
For the past several Kingdom comebacks, I’ve found myself more enamored with the group’s b-sides than their title tracks. Their high-concept series seems to put emphasis on performance pieces rather than songs that stand well on their own. This remains true for new single Long Live The King (백야), but there are enough musical goodies … Continue reading
2022 has seen an increasing trend of male idol groups releasing fan-servicey material while some (or all) members serve in the military. ONF and DAY6’s Even Of Day are prominent examples within the past two months. Calling your enlistment track “Still Here” is more than a little on the nose, but it’s reassuring to hear … Continue reading
AB6IX have had a rough go of it, initially emerging as a heavily-hyped, post-Wanna One group who seemed destined for instant a-list stardom. Since then, their musical output and chart positions have varied, without a signature sound taking hold. Member Daehwi has found great success as a producer, most recently competing in KBS’s Listen Up … Continue reading
There was a time in SM Entertainment’s history where solo releases were not common. That’s switched dramatically over the past decade, with so many popular groups launching equally-popular solo projects. The members of Red Velvet have already released sub-unit and solo work, but 28 Reasons marks Seulgi’s official debut after appearing in her fair share … Continue reading
Last time we heard from Treasure, they had re-invented their slow jam Darari into a rollicking pop rock banger. That version appears on their new album, which also sees the members taking greater creative control. Thankfully, this results in a dynamic blend of upbeat sounds that recall standout eras in YG Entertainment’s past. Title track … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
It’s Sunday, which means it’s time to end the week with an open discussion post! To keep things civil, there are a few rules: Be kind and respectful to one another. Any harassing language will be deleted. This is not a place to state what you don’t like about me and/or my blog. Move elsewhere, … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. According to Xiumin, Feedback was considered … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I was pumped for Mirae’s long-awaited … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When it comes to September’s K-pop … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2022 Overall Thoughts Well, September was certainly a contrast to August! With hindsight, August was … Continue reading
2022 is the year of long-dormant girl groups making their return. We had Girls’ Generation in August and we’re looking forward to a loooong awaited comeback from Kara in November. This month, it’s EXID’s turn. They’re celebrating their tenth anniversary with a special single album, and they’ve brought longtime producer Shinsadong Tiger along for the … Continue reading
The Bias List // K-Pop Reviews & Discussion 