Global music trends are currently in my favor, as sounds shift in directions I tend to enjoy. As always, K-pop is catching up to deliver a wealth of rhythmic, retro-themed tracks. By any measure, I should be jumping up and down and proclaiming this a golden age for the industry. Yet when it comes to … Continue reading
K-pop history is stuffed with great albums, and there’s only so many Buried Treasures and Battle of the B-sides features available to cover all these noteworthy tracks. The album format has always been special to me. Whether it’s a full-length or mini, albums have the opportunity to tell stories and develop an act’s personal style. … Continue reading
I’m always in the mood for Johnny’s music, but I’ve been on a particular kick these past few months. This was further emboldened by the first annual Johnny’s Festival a couple weeks ago. The agency has been slow to announce new releases for 2022, which has me taking a deep dive into groups I’m less … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Yena’s debut album has strong summertime … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There were a ton of mini … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Under-the-radar group Luminous nabbed a spot on my top 2021 rookies list thanks to the strength of debut single Run. Many boy groups use hip-hop as a base for their sound, but Run harnessed the groovier aspects of the genre to craft a song that felt nostalgic yet fresh. Sadly, new single All Eyes Down … Continue reading
Mamamoo’s Moonbyul has been teasing her newest album for weeks, and pre-released the fun throwback track G999 last month. That song hinted at new directions for her music, and Lunatic further fulfills that promise. But while G999 benefited from a laidback groove and focused arrangement, Lunatic feels all over the place. Judging by its title, … Continue reading
I didn’t love BamBam’s solo debut, but his recent duet with Red Velvet’s Seulgi offered a different avenue for his talent. It turns out moody sounds fit him quite well, and that approach continues on new single Slow Mo. The track retains plenty of hip-hop influences, but they’re in service to a gentle, atmospheric melody. … Continue reading
We all have our specific musical preferences, and I’m a sucker for breathless energy and hard-hitting electro-funk. You can place almost any song over a blazing K-pop beat and I’ll be satisfied. Up to this point, Victon’s discography trended toward more leisurely-paced material, though member Do Hanse’s Take Over hinted at more dynamic sounds. From … Continue reading
The era of post-GFriend projects is upon us, with Viviz’s debut next month and Yuju’s solo album today. I’m still in shock that the group is no more, but it will be interesting to hear the music they come up with. If Play (놀이) is any indication, Yuju is set to lean into her skills … Continue reading
Over the course of the past year, AB6IX have been playing with the word “complete.” A new special album concludes this trilogy of completion, positioning the fans as an important part of the group’s existence. Throughout their career, AB6IX never settled on one defining sound or energy. The upbeat 1, 2, 3 continues this mix-and-match … Continue reading
Upon joining Pledis Entertainment (and therefore, HYBE), interest in fromis_9 has surged. Thankfully, this occurs as the group are enjoying a musical resurgence as purveyors of frothy disco pop. On a personal note, I have a newfound appreciation for member Nagyung, who took a very dark turn in the recent Shadow Beauty web series. It’s … Continue reading
I didn’t follow IZ*ONE to the extent where I’d know specific details about each member, but as they embark upon the next stage of their careers it’s fun seeing which direction their music takes. If judging purely by post-IZ*ONE debuts, I’d put Choi Yena in first place so far. Smiley is a ton of fluffy … Continue reading
When we last experienced a DRIPPIN comeback, the boys were cavorting around a camping site spouting some nonsense about a “free pass.” Their debut year hasn’t exactly been consistent, but they’ve released a few excellent tracks. Sometimes you just have to dig a bit to find them. After a lengthy hiatus, the group returns with … Continue reading
Ahead of a full album next month, Taeyeon is back with pre-release single Can’t Control Myself. Pre-releases have been a longtime tradition in her solo career, with many of them standing as discography highlights. If Can’t Control Myself is any indication, we’re in for another set of emotional pop tracks. Taeyeon has one of the … Continue reading
As their industry stature has grown, Astro have begun to promote as units and solos. We had Moonbin and Sanha’s Bad Idea in 2020, MJ’s trot-tastic Get Set Yo last year and a steady stream of Cha Eunwoo dramas. Now it’s time for Jinjin and Rocky to put their own stamp on the ever-evolving Astro … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. None of the b-sides on OnlyOneOf’s … Continue reading
This should be a good week for Mamamoo fans, as two of its members are releasing solo albums. First up is Wheein, working under her new agency The L1ve. So far, her solo material has trended toward more subdued sounds, though last year’s Water Color found a satisfying groove. New single Make Me Happy (오묘해) … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Changmin led the campaign for new … Continue reading
The Bias List // K-Pop Reviews & Discussion 