I-LAND: Episode Six Recap
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I-LAND: Episode Six Recap

Episode One Recap // Episode Two Recap // Episode Three Recap // Episode Four Recap // Episode Five Part One: Narration, of course We open with tons of explanation about the votes: which countries they’re coming from, who is ranking first place in each country, etc. To be honest, I rarely vote for these types … Continue reading →

Song Review: Saturday – D.B.D.B.DIB
Review

Song Review: Saturday – D.B.D.B.DIB

Girl group Saturday have struggled to find a large audience, though their quirky, repetitive pop tracks definitely have their supporters. At times, the group feels like natural successors to Crayon Pop’s silly sound. They just never found that ubiquitous novelty hit that would give their career the oomph it needs. The ridiculously-titled D.B.D.B.DIB (디비디비딥) (seriously, … Continue reading →

Song Review: KEEMBO – 99 (Gu Gu)
Review

Song Review: KEEMBO – 99 (Gu Gu)

KEEMBO’s Scandalous emerged as a welcome surprise back in May, a rare Sweetune-penned pop track that proved the production team hadn’t lost their touch. Yet for me at least, Scandalous had far less staying power than I would have expected. I’ll partially attribute this to KEEMBO’s under-the-radar (ie: nonexistent) promotion keeping the track off my … Continue reading →

Song Review: Arashi – Kite
Review

Song Review: Arashi – Kite

Originally scheduled to coincide with Japan’s ill-fated hosting of the 2020 Summer Olympics, Kite (カイト) brings together J-pop’s biggest male idol group with current chart-topper Kenshi Yonezu, who composed the track. Though I doubt whether this single will be Arashi’s final song before hiatus, it certainly carries the necessary weight. Kite’s lyrics reflect upon how … Continue reading →