One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Into My World (from Countdown – 2018) Taken from EXO’s excellent Japanese album, Into My World feels like the soundtrack to some neon-hued sci-fi epic. Its electronic backbone pulses loud and proud, giving the track an immense energy. The production even throws … Continue reading
Though TVXQ are one of my all-time favorite K-pop acts, most of their post-enlistment music hasn’t hit me in the same way as their classic material. However, new Japanese album XV is a strong collection of work, touching on many of the aspects that have made them such a musical force. The guys seem to … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wasn’t all that enamored with DAY6’s latest title track, but … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Hurt (from Exodus / Love Me Right – 2015) Even when EXO tracks brood, they usually do so over an interesting hodgepodge of instrumental elements. Hurt perches itself atop an aggressive stomp and sweeping, distorted synth. It opens like a dark carnival … Continue reading
Queendom has become one of K-pop’s most pleasant surprises this year. Its conceit — five girl groups (and one soloist) competing for performance-based dominance — was shockingly good-natured in reality, allowing each act to showcase their charms without the kind of needless drama these series usually thrive on. In fact, I’d be just as happy … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! History (from Mama – 2012) Though their discography boasts more ambitious material, History has always felt like a flawless distillation of EXO’s sound. Its effortlessly funky groove combines a bhangra-inspired beat with icy, stuttering electronics and a strong kick that anchors the … Continue reading
I’ll tell you one thing: I never thought I’d be writing a Sunny Hill review in 2019. After the girls left their agency two years ago, I assumed they’d all-but broken up. Two of their members did leave during this long hiatus, replaced by a new pair of performers (one of which from short-lived group … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I consider TXT’s debut mini album to be pretty close to … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Heaven (from Ex’Act / Lotto – 2016) Sandwiched between more experimental tracks on EXO’s underrated 2016 album, Heaven’s exuberant, laid-back funk pop offers a welcome respite. The song is nothing unusual, but its piano-fueled production has a engagingly old-school aesthetic, augmented with … Continue reading
CIX are one of those 2019 debuts with a fan base already baked in. Their roster includes former contestants of Produce 101, Mix Nine and YG Treasure Box. They’re a hodgepodge of already-known personas, which makes it easy to root for them. This name recognition helped secure a quick Japanese debut, with My New World … Continue reading
As packed as October’s release slate has been, it’s been surprisingly short on girl group comebacks. Apart from Ladies’ Code and Limesoda, new group ARIAZ practically have the month to themselves. That’s a boon for their debut, as it helps them stand out in a busy market. And let’s be honest, any new act from … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Heart Attack (from XOXO / Growl – 2013) Heart Attack draws that amorphous line between dance track and mid-tempo. Its energy isn’t particularly high, but its fast-paced vocal delivery gives it a loose, playful appeal that slots it nicely alongside superior tracks … Continue reading
If you were to peruse any of my unfavorable reviews of the past few years, you’d likely find mentions of song structure, energy and momentum. For me, these are some the most important building blocks of a good pop song, and this era’s trends so often misuse them. How many times has a non-chorus let … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Good Night (from Universe – 2017) Good Night’s gentle, electronic piano-infused balladry is what special winter albums are meant for. As its title suggests, this plays as a smooth r&b lullaby. So, saying that it might put you to sleep isn’t necessarily … Continue reading
Back in 2012, K-pop found itself lodged within an EDM trend. But, it didn’t sound like today’s EDM, where stop/start structures and instrumental drops abound. This particular trend tethered huge choruses to the euphoric beats of club music, resulting in many classic comebacks. Some of you are probably going to call me basic or stuck … Continue reading
Throughout DAY6’s prolific career, they’ve fused their core rock band sound with various genre influences. I tend to prefer when they aim for the pop jugular — even better if it involves 80’s synths and anthemic choruses. With this in mind, there’s a lot to love on their newest album. The group has taken a … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Going Crazy (from The War / The Power Of Music – 2017) Opening with a frantic synth loop and dramatic sweeps of strings, Going Crazy promises drama to come. And though the track never fully lives up to that mood, its creeping … Continue reading
For a group that most would consider to be under-the-radar, VAV have enjoyed a surprisingly consistent promotion calendar. They’ve already released over a dozen singles/music videos since their 2015 debut. Despite having a lot to choose from, I’ve run real hot and cold with their music. They’re one of those groups that just doesn’t have … Continue reading
Since 2016, Nu’est’s title tracks have been emblematic of what I would call the Pledis Entertainment “house sound.” Each one was co-composed by the agency’s own producer Bumzu, and adhered to a similar instrumental approach. Sub-unit Nu’est W switched things up a bit in 2018, but this April’s lackluster Bet Bet continued exactly where 2016’s … Continue reading
It’s been a long road to TXT’s first comeback. Originally scheduled for August, Run Away (9와 4분의 3 승강장에서 너를 기다려) arrives after two postponements, increasing anticipation for where the group’s music would go next. TXT has been pitched as a lighter, more pop-informed version of agency-mates BTS, and this approach resulted in a knockout … Continue reading
The Bias List // K-Pop Reviews & Discussion 