Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I can already tell that ONF’s Why is going to be … Continue reading
After the remaining B.A.P members left the hellhole that is TS Entertainment earlier this year, it seemed as if the group had essentially disbanded. We could certainly get a reunion in the future, but for now the guys are focusing on solo projects. For Jung Daehyun, that meant a mini album of ballads earlier this … Continue reading
This May, Ladies’ Code connected with producers 1Take and TAK to deliver the funky, brass-filled Feedback. It felt like a return to the group’s older sound — heavy on groove and sassy vocal delivery. The song emerged after an extended hiatus, which itself was preceded by years of more subdued material. If new single Set … Continue reading
Over the past few months, Stray Kids’ experimentation with electronic influences has transformed their music into a vital, trend-setting part of the K-pop landscape. It’s easy to forget that, at their heart, the group thrives on a more straightforward hip-hop style, anchored by their trio of composers/producers 3RACHA. Personally, I prefer when Stray Kids pull … Continue reading
Compared to other girl groups, Lovelyz doesn’t often receive much attention for their individual members. Their music favors sentiment and cohesion over big, standout moments. But over the years, Kei has quietly become one of my favorite female vocalists in K-pop. As a singer, she’s the sort who gives 110% — almost to the point … Continue reading
ATEEZ have taken 2019 by storm, releasing a steady stream of music that has now culminated with their first full album. The fact that all of this has been accomplished in under a year is staggering – even more so when you realize that each and every track has been composed by the same small … Continue reading
I know that I start every Great Guys review with a statement about how lame their group name is, but it just gets more ridiculous the more serious and brooding their music becomes. It fit the bright bounciness of this spring’s Dang, but seems at odds with the sexiness of new single Be On You. … Continue reading
Of all the K-pop songs that have grown on me this year, AB6IX’s Breathe has had one of the most impressive climbs. I was dismissive of the track upon release, describing it as “the kind of music you’d hear in the background at an H&M.” That’s still probably true, but the song went on to … Continue reading
Since their debut in the summer of 2017, ONF’s title track Why represents the only time the guys have made more than one comeback in a calendar year. That’s an insanely sparse schedule for a rookie group, driven by some factors that were out of their agency’s hands. Even this new mini album has been … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Perhaps my favorite aspect about SuperM’s mini album is that it … Continue reading
Though Limesoda have been around for over two years, this is the first time I’ve featured them on The Bias List. None of their previous material has felt notable enough to write about, though I have been following the girls ever since member Hyerim competed in season six of K-pop Star. This February, Limesoda added … Continue reading
Over the course of the past eight years, Super Junior have offered a template for how to deal with Korea’s mandatory military enlistment. Though they’ve promoted almost every year, the group hasn’t been whole since 2011. Now that all of their active members have finished serving, the current 9-member configuration is as close as we’re … Continue reading
When SM Entertainment announced their SuperM project in early August, my first reaction was an eye roll. This had nothing to do with SuperM’s concept, which grafts together members from popular SM acts to create a K-pop super group. I actually think that’s pretty cool. Where else are you going to see SHINee’s Taemin, EXO’s … Continue reading
When asked to name individual members of boy group ZE:A, casual fans might remember actors like Siwan or Hyungsik. Fans of variety shows will undoubtedly be familiar with Kwanghee. I can’t imagine than many will recall Ha Minwoo. He was ZE:A’s first member to enlist in the military, and has been part of the group’s … Continue reading
Over the course of his burgeoning career, Jeong Sewoon has alternated between groovy, acoustic guitar-driven pop songs and slower, more emotive ballads. I prefer that his sound stays focused on the former. It’s not that he’s incapable of a good ballad. It’s just that Korea already has its fair share of balladeers – especially this … Continue reading
Purple Beck’s June debut Crystal Ball was promising but unpolished, slotting them comfortably alongside K-pop’s quirkier girl groups. But, more important than a debut is its follow-up, especially when it comes to acts from smaller agencies. Financial constraints are very real in these cases, and if an agency splurges on an underwhelming debut, subsequent material … Continue reading
When releasing an album, Zico often promotes more than one title track. On his 2017 album Television, he backed up the freewheeling Artist with the more melodic Anti, and this cross-genre approach worked well. With the first half of his new album Thinking, Zico seems to have replicated this release strategy. While Daredevil is a … Continue reading
After leaving Seven Seasons (home to his group Block B) late last year, Zico has gone on to create his own label, KOZ, for future solo activity as well as recruitment of outside artists. This seems like a good strategy for him, as he’s always had his feet in both the idol and underground hip-hop … Continue reading
Despite being a big fan of the group, no EXO solo or sub-unit has connected with me this year. The guys are now elder statesman in the K-pop industry, and with that comes guaranteed success for any new material they release. But rather than branch out and push K-pop forward, the guys have channeled their … Continue reading
ONEUS made a splash when they debuted with the incredible Valkyrie this January. Their follow-up single Twilight has grown on me a lot, and the guys have proven to be reliable conduits for solid mini albums, but I fear that they offered their strongest punch right off the bat. A fantastic debut is important, but … Continue reading
