Red Velvet have had an incredible year so far, dominating (to varying degrees) both the winter and summer with mega-hits Rookie and Red Flavor. The latter felt like a true watershed moment, made even more impressive by its killer selection of b-sides. With Peek-A-Boo (피카부), the group has teased a combination of their “red” and … Continue reading
At this point, the tag team of Snuper and Sweetune has built up such good will that I’m bound to enjoy anything the two collaborate on. I love it when a group finds the perfect producer to steer their sound and actually sticks with them long enough to establish a cohesive discography. Snuper may have … Continue reading
Before he was known as part of Produce 101’s “Avengers team,” Samuel was one half of underrated retro act 1Punch. Debuting in early 2015, the one-and-done duo released the fantastic New Jack Swing of Turn Me Back. It’s a sound I’ve always wanted Samuel to return to, and Candy (캔디) sees him doing just that. … Continue reading
Woollim Entertainment has more than their share of managerial issues (when is that fabled Infinite comeback, again?), but one thing I’ve always appreciated is that they develop a strong, recognizable sound for their artists. Rather than jump from trendy producer to trendy producer, a group like Lovelyz has largely stuck with quirky production team One … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Seventeen continues to impress with their latest album, even if … Continue reading
Though they’ve only been around for just over three months, Wanna One already feel like a vital part of the current k-pop landscape. Their big personalities have been especially welcome on variety shows, but their debut Energetic also enjoyed unexpected staying power, becoming one of this year’s most addictive dance tracks. With Beautiful, the group … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. SM Entertainment’s releases have been somewhat scattershot this year (along … Continue reading
Compared to other rookie boy groups, I’ve had a hard time getting into Victon’s music. It’s not that any of it has been markedly bad, but each title track has bopped along nicely without an element that pulls me in. Perhaps it has more to do with producers BEOMxNANG, whose work has rarely done much … Continue reading
Over the past several days, we’ve been treated to a pair of girl group releases that abandoned k-pop’s lighter tropes for something more edgy and fierce. As catchy as their material is, Gugudan has so far steered in the complete opposite direction, punctuating their sugar fluff pop with giddy exclamations and baby-like coos. It’s an … Continue reading
Block B has maintained a certain level of success (especially as soloists) over the past two years, but it feels like their group work has lost some of its momentum ever since their nearly two-year hiatus after 2014’s H.E.R. February’s boisterous Yesterday seemed to herald a return to form, and Shall We Dance‘s very title … Continue reading
With Dramarama, I think Monsta X have given k-pop its most awesome song title of the year. The word alone is so ridiculously overblown, conjuring a sense of rock opera action movie bombast (or maybe just “jazz hands”). It’s delightfully tongue-in-cheek — except this is k-pop, so of course it’s not actually tongue-in-cheek. My biggest … Continue reading
Over the past few weeks, k-pop has enjoyed a much-needed resurgence of proper choruses. And though EXID never quite fell victim to the trend of instrumental riffs masquerading as hooks, there were a number of times during new single DDD (덜덜덜) that I feared the song may take that dreaded, melody-averse turn. But then again, … Continue reading
About two months ago, I gave up hope that the Every DAY6 Project would continue to be a year-long release of title track-worthy material. What started as an ambitious opportunity for the guys to display a variety of promoted songs has gradually turned into a complete-the-album b-side roll out. That would be fine, but DAY6’s … Continue reading
It took them awhile, but girl group Sonamoo have finally released two fantastic, back-to-back singles. This summer’s Friday Night was an unexpected, disco-infused treat, but I (아이) ups the ante by pulling influence from k-pop’s past. The song may have been produced by one half of the ubiquitous e.one production duo, but its dramatic, brass-spiked … Continue reading
Though the emotional EDM of May’s Don’t Wanna Cry was far from Seventeen‘s usual sound, it ended up being one of the year’s biggest growers. And as the group led up to their second full album with a string of sub-unit releases, fans were promised an evolving, newly matured style. But this is Seventeen, who … Continue reading
As part of their preparations for their first comeback in over two years, Super Junior have been releasing a documentary series online. If you’ve been watching, you’ll already have a pretty good idea of how Black Suit sounds. Upon hearing the first clip a couple of weeks ago, I feared that the song might be … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. As much as I’ve enjoyed Twice’s singles, I’ve never pegged … Continue reading
Since SM Station’s inception, some of its biggest beneficiaries have been the guys of EXO. The project has often paired the members with unlikely collaborators or simply let them go solo, but many of the resulting tracks have ended up to be quite boring. I understand the desire to break EXO out of the glossy … Continue reading
As GOT7’s Korean output has continued to evolve, their Japanese releases have tended to stick to a similar pattern. For better or worse, they’ve developed a swag-driven j-pop persona that favors attitude and bluster over melody. This has resulted in a guilty pleasure or two, but never a song that can rival their best work. … Continue reading
Producer Ryan S. Jhun has had a dynamite year so far, composing song after song after song of consistently high quality. And in between his more hyped releases, he’s partnered with rookie group VAV. The guys’ past three singles have all been crafted by Jhun, and now they’ve collaborated again for She’s Mine. If I’m … Continue reading
The Bias List // K-Pop Reviews & Discussion 