Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. As much as I’ve enjoyed many of EXID’s past singles, … Continue reading
Ready-made fanbases are becoming more and more important to k-pop, but a truly blockbuster idol group has to reach past those who have been with them since their formation and embrace a wider audience. This may be tricky for fromis_9. First, there’s that what-were-they-thinking, borderline undecipherable group name to contend with. And then there’s Idol … Continue reading
It’s been awhile since we’ve heard a debut from a group not affiliated in some way with Produce 101. BLK (standing for Beyond Limit Key because… I have no idea) hails from Byking Entertainment, an agency that — as far as I can tell — has no previous experience debuting idols. This newness explains the … Continue reading
As the 18-month rollout of girl group LOONA enters its final stretch, we’re left with only a few new members to introduce. Thankfully, the soundtrack to these introductions has become more and more impressive as the debut project deepens. Coming off the ambitious, experimental Odd Eye Circle sub-unit of the past two months, newest girl-of-the-month … Continue reading
It’s become increasingly difficult for me to review Jun. K’s solo material because, more and more, our musical preferences just don’t match. He’s been at the forefront of experimenting with the future bass genre, which — try as I might — hasn’t been a style I can get into. His more down-tempo material tends to … Continue reading
MAP6 are one of the few struggling groups who didn’t opt to appear on this year’s pair of “idol rebooting” shows, The Unit and MIXNINE. That’s a shame, because the guys could really use the exposure. With each passing release, it feels like their career has stalled more and more. Since debuting at the tail … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. I’ve always preferred Red Velvet‘s upbeat “red” material over their … Continue reading
Less than a week after their historic performance on the American Music Awards, BTS have returned with a remixed version of their album track MIC Drop, courtesy of U.S. DJ/producer Steve Aoki. For the past year or so, I feel like I’ve been in the minority when it comes to the group’s incredible worldwide success. … Continue reading
Pentagon are back with their second self-composed album after making a sonic shift with September’s Demo_01. Taking over the reigns of their music was a smart choice, especially when it resulted in a song as spectacular as Like This. Runaway successfully continues this sound, even if it never reaches the heights of its predecessor. Once … Continue reading
KARD have received a fair amount of criticism (including some from this very site) for essentially replicating the same sound each time they release a new single. There’s something to be said about artists spinning their wheels, but I also believe that the best idol groups are those who develop a trademark style and gradually … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Apart from title track Sixteen, I wasn’t a big fan … Continue reading
Red Velvet have had an incredible year so far, dominating (to varying degrees) both the winter and summer with mega-hits Rookie and Red Flavor. The latter felt like a true watershed moment, made even more impressive by its killer selection of b-sides. With Peek-A-Boo (피카부), the group has teased a combination of their “red” and … Continue reading
At this point, the tag team of Snuper and Sweetune has built up such good will that I’m bound to enjoy anything the two collaborate on. I love it when a group finds the perfect producer to steer their sound and actually sticks with them long enough to establish a cohesive discography. Snuper may have … Continue reading
Before he was known as part of Produce 101’s “Avengers team,” Samuel was one half of underrated retro act 1Punch. Debuting in early 2015, the one-and-done duo released the fantastic New Jack Swing of Turn Me Back. It’s a sound I’ve always wanted Samuel to return to, and Candy (캔디) sees him doing just that. … Continue reading
Woollim Entertainment has more than their share of managerial issues (when is that fabled Infinite comeback, again?), but one thing I’ve always appreciated is that they develop a strong, recognizable sound for their artists. Rather than jump from trendy producer to trendy producer, a group like Lovelyz has largely stuck with quirky production team One … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Seventeen continues to impress with their latest album, even if … Continue reading
Though they’ve only been around for just over three months, Wanna One already feel like a vital part of the current k-pop landscape. Their big personalities have been especially welcome on variety shows, but their debut Energetic also enjoyed unexpected staying power, becoming one of this year’s most addictive dance tracks. With Beautiful, the group … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. SM Entertainment’s releases have been somewhat scattershot this year (along … Continue reading
Compared to other rookie boy groups, I’ve had a hard time getting into Victon’s music. It’s not that any of it has been markedly bad, but each title track has bopped along nicely without an element that pulls me in. Perhaps it has more to do with producers BEOMxNANG, whose work has rarely done much … Continue reading
Over the past several days, we’ve been treated to a pair of girl group releases that abandoned k-pop’s lighter tropes for something more edgy and fierce. As catchy as their material is, Gugudan has so far steered in the complete opposite direction, punctuating their sugar fluff pop with giddy exclamations and baby-like coos. It’s an … Continue reading
