After last week’s EDM track, it seemed as if SM Station may have been transitioning to a more uptempo output. But, never underestimate how deeply Korea loves a big, drippy ballad. And given the enormous success of Baekhyun’s duet with Suzy earlier in the year, it only makes sense that SM would seek to capitalize … Continue reading
JYP’s G.Soul has come back with double title tracks, each one quite distinctive from the other. While the light reggae of Far, Far Away tackled a new genre, Where Do We Go From Here is much more strongly indebted to the sound G.Soul’s given us so far. There’s no denying that his voice is made for … Continue reading
R&B crooner G.Soul debuted under JYP last year after an incredibly long training period. His debut, the gorgeous and soaring You, went mostly underappreciated by the masses, and subsequent digital singles didn’t make that many waves either. Now he’s back with a double a-side single, and both songs couldn’t be more different from one another. … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. As much as I can appreciate a good Korean ballad, … Continue reading
More than any other year, 2016 has seen SM put a major focus on solo releases from members of their most popular groups. After Taeyeon’s incredibly success late last year, it only made sense that another member of Girls’ Generation would venture out on her own. This time it’s American-born Tiffany, with a song that … Continue reading
Hello Venus are one of those girl groups that seem to exist in the ether — established and successful enough to be known by many, but never to the point where they remotely threaten the big leagues. Frustratingly, they’ve often worked with mega producer Brave Brothers, but rarely reaped the same rewards his magic touch has … Continue reading
Don’t be alarmed, but Shinee have just quietly unveiled the music video for their best Japanese single in years. Their jpop material has always been pretty diverse, from ornate balladry, to campy dancefloor fillers, to boyband power pop, but with Kimi No Sei De (君のせいで), they give us a song that perfectly captures what they do … Continue reading
It’s difficult reviewing a song by a bias group or artist, and Still I Remember (끄덕끄덕) is particularly tricky. On one hand, it’s the solo debut for Woohyun, one of the MVPs of my ultimate bias group Infinite. But it’s also a ballad from an album full of ballads, and I’ve never been predisposed to liking … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s been a couple weeks since Twice’s second mini album … Continue reading
Crush is one of those artists that I desperately want to adore. He seems like such a pleasant person, and even though it’s not my preferred genre, I can appreciate the vibey, slow-jam r&b he produces. But with almost every song he’s released, I end up having the same response, which basically amounts to: “that … Continue reading
![Song Review: Amber & Luna [f(x)] – Wave (with R3hab, Xavi & Gi)](https://thebiaslist.com/wp-content/uploads/2016/05/amber-luna-fx-r3hab-xavi-gi-wave.png?w=290&h=290&crop=1 "Song Review: Amber & Luna [f(x)] – Wave (with R3hab, Xavi & Gi)")
Wave is not only the latest SM Station release, but also the first under the company’s new EDM sub-label. It makes sense that f(x)’s Amber and Luna would take hold of this sound first, as their group’s most recent album already veered slightly in this direction. Working with a cavalcade of producers, the “featuring list” … Continue reading
Sol T are a brand new girl group who are making their debut with the slinky hip hop of Curveball. It seems that they’ve perched their sound somewhere between EXID and 2NE1, which is definitely a refreshing departure from the cotton-candy sweetness of most rookie girl groups this year. After all, groups like 2NE1 shouldn’t have a … Continue reading
As reality show Produce 101‘s representative girl group, expectations were high for I.O.I’s official debut. Coming only one month after the series ended, it’s no surprise that Dream Girls feels rushed and under-thought, but with the talent and clout on display, it’s unnerving just how safe and cheesy a route the powers-that-be chose to steer the girls … Continue reading
Of the two title tracks that Akdong Musician released as part of their new mini album, How People Move is the looser, more fun-loving sibling. It’s also one of the most bizarre mainstream kpop releases we’ve heard in quite some time. On first listen, many portions of the song come across as improvised. Though it’s … Continue reading
Akdong Musician have long been a favorite of mine, and it’s seemed like a lifetime since they had a proper comeback. Though kpop as a whole continues to become more musically diverse, there are no easy comparisons to this quirky sibling duo. For their new album, we’re treated to double title tracks, with Re-Bye being the … Continue reading
I know next to nothing about newly debuted girl group Mixx, but Oh Ma Mind ended up sounding much different than I’d expected it to. This alone is a welcome surprise, given the cut-and-paste concepts most rookie groups tend to tackle. Like Brave Girls’ Deepened from earlier in the year, Oh Ma Mind straddles the line between … Continue reading
GFriend sit comfortably at the top of my rookie girl group bias list, and that’s due mostly to the incredible pop songs they’ve been given by composing duo Seo Young-Bae and Iggy. So what happens when the girls cover an older kpop track instead of working with their normal songwriters? Well, like most CFs (ie: advertisement songs), … Continue reading
Very few artists can get away with the sort of non-chorus hype track that I so often complain about in my reviews. Bigbang pulled it off with last year’s Bang Bang Bang, and BTS certainly did with the awesome Dope. Now, Bangtan is back with what feels like Dope‘s spiritual successor, in the form of … Continue reading
I missed talking about CoCoSoRi’s debut back in January, though it’s probably for the best since it didn’t really leave much of a mark on me. I applaud the duo’s desire to take the quirkier girl group route favored by acts like Orange Caramel and Crayon Pop, especially since there isn’t a lot of it … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. A rating in the high 8’s really doesn’t indicate much … Continue reading
The Bias List // K-Pop Reviews & Discussion 