A few days ago, BAE173’s debut single Crush On U came on random shuffle. I forgot what a jam that song is. But more than anything, it made me marvel at how much the group’s sound has changed since 2020. With member Nam Dohyun now in charge of production, the guys have moved sharply into … Continue reading
Whatever happens, CRAXY will always have one of K-pop’s most brilliantly bonkers debut songs in 2020’s Aria. That ambition has woven throughout their career, even if the music itself has become more typically 4th-gen K-pop in its execution. For their third mini album, the group has turned to production team D_answer, most well-known for their … Continue reading
Oh, The Boyz. There isn’t a current K-pop act that frustrates me more. I love this group. They have so much potential and heaps of global popularity. Yet ever since the brilliant The Stealer, they’ve been stuck in the opposite of an “imperial phase.” It feels all-but impossible for them to release a killer title … Continue reading
With the release of their new special album, ONF have rewritten the rules for how boy groups handle military enlistment. I’m no expert, but I thought idol groups weren’t able to release music during enlistment because of laws related to wages and income. However, WM Entertainment had the foresight to record and prepare this material … Continue reading
It just occurred to me that it’s been nearly four (!) years since TVXQ had a proper Korean comeback. Yes, they’ve been active as soloists and have released multiple albums in Japan during this time, but that’s still a long gap for a veteran act with an enormous, enduring fanbase. For now, those of us … Continue reading
It’s Sunday, which means it’s time to end the week with an open discussion post! To keep things civil, there are a few rules: Be kind and respectful to one another. Any harassing language will be deleted. This is not a place to state what you don’t like about me and/or my blog. Move elsewhere, … Continue reading
At this point on the idol side of the J-pop industry, an entire ecosystem of new groups have emerged, spawned from audition series and heavily indebted to K-pop tropes. K-pop and J-pop have often existed in conversation, with the former borrowing from the latter during many points across the past twenty years. But, K-pop’s ability … Continue reading
JUNNY isn’t the type of artist I feature often on The Bias List. His work leans closer to the indie side of the K-pop industry, though the music itself sits comfortably alongside idol group fare. I somehow missed his great duet with Chungha back in June (you can thank Golden Child’s San Jose concert for … Continue reading
It’s been a long time since I published a “top ten” post, but who better to reignite the feature than one of this era’s most dominant forces? Debuting in late 2018, ATEEZ have clawed their way to K-pop’s A-list on the back of edgy, exciting music. As always, this list is comprised solely of title/promoted … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new mini album, Aura! Check back each day of the week as I make my way through the five new songs. 1. Aura (Intro) // 2. Replay // 3. Knocking On My Door // 4. 3! 6! 5! // 5. Purpose // … Continue reading
Much like Omega X’s Stand Up from earlier this summer, WEi’s new single Maldives reinvents the group as summertime beach boys. I’m not sure why it takes a Japanese release to dabble in this fun, upbeat sound, but I’m glad to hear the guys let down their guard and deliver something fresh and bubbly. Maldives … Continue reading
Maybe these Universe reviews are getting a little cliché. Maybe I’ve run out of ideas to make them fun and interactive. Maybe Maybe is just too unassuming to inspire a dynamic game or spoof. Maybe if the app gave us access to the full music video, I’d feel different? Maybe Jo Yuri is actually suited … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new mini album, Aura! Check back each day of the week as I make my way through the five new songs. 1. Aura (Intro) // 2. Replay // 3. Knocking On My Door // 4. 3! 6! 5! // 5. Purpose // … Continue reading
Late last week, Johnny’s groups SixTONES and Snow Man both surprise-released new music videos on YouTube, fueling rumors they may reunite for another duel-group single. It turns out that Snow Man’s Juicy heralds the release of a new studio album. We’ll need to wait to see where SixTONES’ Party People ends up. Both of these … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new mini album, Aura! Check back each day of the week as I make my way through the five new songs. 1. Aura (Intro) // 2. Replay // 3. Knocking On My Door // 4. 3! 6! 5! // 5. Purpose // … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new mini album, Aura! Check back each day of the week as I make my way through the five new songs. 1. Aura (Intro) // 2. Replay // 3. Knocking On My Door // 4. 3! 6! 5! // 5. Purpose // … Continue reading
With many writing credits to his name, Pentagon’s Kino has always been a prime candidate for solo work. He finally takes the reigns on special single Pose, though the shadow of K-pop’s established soloists looms large. As with many before him, Kino seems to have gotten his degree from the School of Taemin, unveiling a … Continue reading
It’s been a longer-than-usual hiatus for TRI.BE, with Kiss arriving as their newest single since last October’s Would You Run. But, the lengthy break hasn’t changed their sound too much, nor has it affected their collaborators. Kiss sees them working again with the legendary Shinsadong Tiger, alongside EXID’s L.E. and production team The Hub. That’s … Continue reading
INI are occupying a very strange place in my own personal fandom. I love the members. I love watching their variety. But apart from this year’s fantastic We Are, their actual music has been pretty disposable so far. I’m not sure if this is a sustainable path, though judging by their out-of-the-gate success in Japan … Continue reading
With retro synth emerging as a dominating trend of the past few years, it’s been interesting to see which groups fit it naturally and which feel shoe-horned in. Exile Tribe’s Fantastics have totally suited the sound – so much that I hardly want them to stray from it! 2020’s High Fever ended up becoming a … Continue reading
The Bias List // K-Pop Reviews & Discussion 