Building off my “Most Epic Days in K-pop” feature, I thought I’d spotlight some of the most epic weeks in K-pop history. K-pop is a Monday through Friday affair (at least in my time zone), with some weeks stuffed to the brim with releases. But, not all include multiple 9+ rated songs. This feature will … Continue reading
Building off my “Most Epic Days in K-pop” feature, I thought I’d spotlight some of the most epic weeks in K-pop history. K-pop is a Monday through Friday affair (at least in my time zone), with some weeks stuffed to the brim with releases. But, not all include multiple 9+ rated songs. This feature will … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
There was a time when Bae Suzy’s presence felt inescapable in K-pop. As a member of girl group Miss A and a very popular actress, her career straddled multiple facets of the Korean entertainment industry, earning her the title of “The Nation’s First Love.” She’s still a notable presence in dramas, but it’s been four … Continue reading
One of my biggest frustrations with K-pop at the moment is that there aren’t many acts whose comebacks I reliably look forward to. Groups switch producers and concepts so frequently. Consistently great singles runs are harder to find. Heck, consistently great songs are harder to find! Everything feels very piecemeal. With this in mind, Wonho … Continue reading
After a debut album stuffed with title tracks, I fear Treasure have entered the second stage of YG Entertainment’s “artist development”: radio silence, peppered by the odd comeback here and there. JIKJIN (직진) is the first title track from the group in over a year, and comes paired with a big budget music video and … Continue reading
It’s been two years since Apink had a proper comeback, though they’ve released music since then. New full-length Horn is deemed a “special” album, which usually means limited promotion. But, it’s great to have the group back with hit-making production team Black Eyed Pilseung. Though I wasn’t as effusive as others when it came to … Continue reading
For better or worse, I don’t immediately associate Taeyeon’s solo career with dance tracks. So, when it was announced that new single INVU would have house influences, my ears perked up. A vocalist as powerful as Taeyeon would make a natural fit for a big club banger. But, INVU takes a different approach, painting a … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of J-pop’s most innovative and accomplished producers and composers. TAKUYA WATANABE … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of J-pop’s most innovative and accomplished producers and composers. HIKARI Years … Continue reading
It seems Astro have entered a phase in their career that favors sub-unit and solo releases. This tends to happen after a group has established themselves, and it’s fun to see the individual members showcase their unique charms. Recent months have seen albums from main vocal MJ and dance/hip-hop unit Rocky and JinJin, but sub-unit … Continue reading
It’s been ages since I’ve written about anything BTS-related. Though the group’s name remains omnipresent, the members have taken a well-deserved break to recharge. But even before that, 2021 passed by without an official Korean comeback. Fans were treated to Japanese and English language hits instead. We’ll see what 2022 brings, but for now the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TVXQ’s Yunho just released his new … Continue reading
Ha Sungwoon has released quite a lot of solo material, but his new material will see him operating under a new label. He’s recently signed with BPM Entertainment – home to VIVIZ as well. Sungwoon’s You is billed as a “special album,” which usually means no big promotional rollout. And, this style of song doesn’t … Continue reading
GFriend’s disbandment was one of 2021’s most unwelcome turns. They were a consistently great addition to the K-pop landscape, filling a niche not many other acts attempted. But though they never got the opportunity to grace the industry with a farewell single, their 2020 hit Mago stands as one hell of a send-off. GFriend has … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
DAY6 are the latest act to navigate K-pop’s tricky enlistment-imposed hiatus. With member Jae taking his own leave from the group and Sungjin, Young K and Dowoon all currently serving, that leaves lead vocal/keyboardist Wonpil to pursue solo efforts. Unfortunately, the guy just tested positive for covid, forcing cancellation for most promotions of debut solo … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
I don’t know whether to classify this as a single or a buried treasure under Bias List rules, but indulge me a bit because it’s not often I get to write about a Johnny’s song that’s actually available on streaming platforms! KAT-TUN have been venturing into digital distribution since last March, and I hope this … Continue reading
The Bias List // K-Pop Reviews & Discussion 