A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Kingdom are slowly proving themselves kings … Continue reading
K-pop history is stuffed with great albums, and there’s only so many Buried Treasures and Battle of the B-sides features available to cover all these noteworthy tracks. The album format has always been special to me. Whether it’s a full-length or mini, albums have the opportunity to tell stories and develop an act’s personal style. … Continue reading
Up to this point, we’ve been lucky to get one or two tracks from Somi each year. Now, she’s released her first full album with (brace yourself…) four new songs! Beggars can’t be choosers, and I’m glad she has a chance to flesh out her sound. New title track XOXO is composed by the usual … Continue reading
This year, Brave Brothers has proven he still has his special songwriting spark. His compositions for Brave Girls are some of my favorite music of 2021. This makes me wonder why he can’t seem to conjure equally great material for boy group DKB. It must come down to expectations. Many K-pop boy groups are expected … Continue reading
Park Jihoon’s Gallery was one of my favorite K-pop tracks this summer, and seemed to carve a new, nimble avenue for his sound. I’ve often enjoyed his singles, but his discography as a whole suffers from a lack of consistency. That’s especially apparent with new comeback Serious, which alternates between messy and dull. Forgive the … Continue reading
I joked on Twitter about October being so weak that K-pop had to reach all the way back to May for new material, and that could really apply to the whole second half of this year. The first half of 2021 was very strong, but these past few months have had a hard time matching … Continue reading
It’s been just over two years since the release of Ailee’s second studio album. Now she’s back with a new full-length, entitled “Amy” after her English name. The album promises to represent Ailee’s true self, and title track Don’t Teach Me (가르치지마) references key moments in her career. The title mirrors 2014’s Don’t Touch Me, … Continue reading
I never paid much attention to Secret Number until last year’s Got That Boom, which firmly planted itself on my playlist for over a month. That track was a great example of set-up and pay-off, with an explosive climax that made me want to hit ‘replay’ immediately after it had ended. For new single Fire … Continue reading
Despite not loving the teasers, Just B’s debut song ended up exceeding my expectations. They found a great collaborator in B.A.P’s Yongguk, and seemed to be heading toward a lasting partnership that could develop that all-important “signature sound.” For their first comeback, Yongguk is nowhere to be found, but the agency has enlisted another Bias … Continue reading
While DreamNote’s title tracks have been pretty inconsistent, they’ve shown a marked improvement over time. I didn’t care for their debut at all, but follow-up Hakuna Matata ended up being one of my favorites of 2019. We last heard from the girls pre-pandemic – almost two years ago. I worry that the ensuing restrictions stole … Continue reading
I was no fan of EPEX’s debut, but the official description for first comeback Do 4 Me caught my attention. The song is described as taking influence from Queen’s Another One Bites the Dust, INXS’s Need You Tonight and Dua Lipa’s Break My Heart. That’s a musical trilogy that aims straight for my heart, and … Continue reading
After releasing the first part of their newest full-length album back in January, Epik High are set to complete the project in the coming weeks. Before that, they’ve teamed with fellow rappers Giriboy, Sik-K and JUSTHIS for pre-release Face ID. The group’s past few title tracks have been restrained and emotional, so it’s fun to … Continue reading
The trend of producers creating idol groups continues with the debut of bugAboo, the second group under Ryan Jhun’s A Team label. As such, their music comes courtesy of Jhun himself, a proven hitmaker in the industry. Their cutesy group name (which just happens to be one of my childhood nicknames…) seems to promise an … Continue reading
Just weeks after NCT 127’s Sticker unleashed screechy flute on an unsuspecting K-pop industry, the group has returned with repackage track Favorite. The description for this one promised ample use of a whistle, which elicited ample eye rolls from me. It seems that SM is developing a tradition of releasing decent title tracks only to … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Seventeen’s new mini album is strong, … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though he participated in lyric writing … Continue reading
Boy group INI (pronounced “eye en eye”) was formed through the second season of Produce 101 Japan. After watching the series, I’ve found myself rooting for the guys. The group has so much potential in nearly every aspect. They just need the material to match. Unfortunately, the songs for Produce groups tend to be hit … Continue reading
In a disappointing month for K-pop comebacks, I’ve cast poor Seventeen as my Great Shining Hope of October. That’s a lot of pressure to put on one song, but Rock With You seemed to promise many of the elements I’ve been craving: big, bounding energy + a hooky structure (with rock guitar thrown in for … Continue reading
Pop music as fantasy can be a lot of fun, and I love some good old-fashioned artifice. That’s why Kingdom’s renaissance faire concept is so appealing. K-pop is uniquely positioned to take advantage of long-form musical storytelling. And even though the group’s debut wasn’t perfect, its embrace of theatricality was much appreciated. However, we can’t … Continue reading
The Bias List // K-Pop Reviews & Discussion 