I debated whether to feature this song as a “buried treasure” or a full single, since it was only given a pre-release choreography video. But, regardless of how you classify it, Yesterday (안무 영상) deserves attention. Yukika’s entire album is consistent in its retro sound and vision, even going so far as to include themed … Continue reading
Watching the roll-out for Avex’s newest pop soloist Kalen Anzai has been interesting, to say the least. While most agencies would attempt to break an artist through some combination of currently popular music trends, Anzai has been positioned as a nostalgia play for late-90’s J-pop – specifically the icy-voiced, melodic dance sound of Ayumi Hamasaki. … Continue reading
This is a little off-topic, but on more than one occasion I’ve misread Time Turner’s title as “Tina Turner.” Now, that’s a K-pop concept I would like to see! In all seriousness, Time Turner (시간을 넘어서) is probably an apt title, because it feels like a miracle in the time-space continuum that The Man BLK … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
N.Flying have had an atypical breakthrough ever since last year’s Rooftop. Though none of their follow-up material has yet to match the ubiquity of that track, they’re not a one-hit wonder either. Their albums sell well enough, and a number of variety show appearances have helped keep their name in the conversation. Like Rooftop, digital … Continue reading
Entering their final year before indefinite hiatus, Japan’s biggest male idol group set global outreach as one of their goals. This has resulted in English-language re-recordings of their biggest hits, a much greater internet presence, and even a music video or two being available on youtube. Of course, a little thing called “global pandemic” threw … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
Since returning from the military, Super Junior’s Kyuhyun has released a solo single album and new work with his group and sub-unit K.R.Y. SM Entertainment’s SJ Label has allowed for greater flexibility when it comes to release schedules, resulting in several digital singles free from the promotional machine that usually accompanies idol music. This matches … Continue reading
Lee Hi’s HOLO is her first work as part of the AOMG label, a signing that was officially announced this week. This is great news for fans. Unlike YG Entertainment and its subsidiaries, AOMG is known for… you know… actually releasing music. We may no longer have to wait years in between new Lee Hi … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
Hyoyeon’s latest release under her HYO stage name has been classified as “jungle pop.” Jungle is a hybrid sub-genre that first emerged from the heavily-percussive breakbeat hardcore, incorporating elements of reggae, dancehall, funk and several other sounds into a dense, noisy brew that favors repeated electronic loops. That all sounds more interesting than Dessert turns … Continue reading
So… we can all just pretend that last year’s Birthday didn’t exist, right? I know that song has its defenders, but it was an incredibly odd, underwhelming debut for someone with as much hype as Somi. I have my issues with new single What You Waiting For as well, but it actually sounds like the … Continue reading
After a blockbuster debut in January, SixTONES are back with their follow-up single Navigator. Originally scheduled for release at the beginning of June, Navigator takes a hard turn from the stadium balladry of Imitation Rain, in line with the detective anime series it soundtracks. This sound is closer to what I had expected from the … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
I don’t often write about C-pop, and tend to listen to it in spurts rather than all the time. But, I’m always up for a good retro summertime track, and Wu Jiacheng’s Wild Island (无名岛) delivers. I first became aware of Jiacheng through 2018’s K-pop/C-pop collaboration/competition show CYZJ, which I highly recommend. I was taken … Continue reading
Many well-meaning fans pointed me toward Yukika’s Neon last year, knowing how much I love anything that draws influence from the 80’s. And I did enjoy it, even if I think it bops along a bit half-heartedly, without the bite I like to hear in a good pop song. But for me, that’s city pop … Continue reading
The Bias List // K-Pop Reviews & Discussion 