In contrast to most K-pop releases, BTS’s upcoming album is following a months-long roll-out schedule reminiscent of American acts. My feelings about this aside, the approach is gradually offering hints as to what the album might sound like. And honestly, I’ve got no idea so far. Last week’s Suga solo was more intro than song, … Continue reading
December’s glut of ballads seems to have extended into January this year. It feels like all I’m doing lately is reviewing ballads, which makes it hard to come up with anything new to say. Of course, TVXQ are no stranger to big, emotive balladry – especially when it comes to their Japanese work. But one … Continue reading
Taeyeon publicly stated that 2020 was going to be a year for her to focus on her mental health, so kicking it off with the release of Dear Me (내게 들려주고 싶은 말) seems fitting. The song leads a repackage of her October album, and is a hopeful wish for her own personal strength. It’s … Continue reading
Kim Jaejoong’s most recent Korean album was released around the time The Bias List was launched in early 2016. Since then, he’s enlisted, released Japanese music and been active on variety and in dramas. I can still remember when he made his solo debut back in 2013. I had only been a K-pop fan for … Continue reading
Because of how early the Lunar New Year holiday falls this year, the remainder of January is going to be very slow when it comes to comebacks. Like, December slow. It’s in these times that I find myself writing about each and everything that gets released, even if I’d usually pass on it during a … Continue reading
Boy group ENOi debuted last spring with the deep house track Bloom. I didn’t get a chance to review the song, but thought it was a decent – if super generic – offering. Like I always say, being a rookie is all about standing out and crafting a style all your own. Bloom did neither … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. ATEEZ have finally wrapped up their Treasure series and, suitably, their … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m still not quite sure how I feel about VERIVERY’s Lay … Continue reading
Okay, K-pop, I think it’s time to admit you have a problem. Out of the eight songs I’ve reviewed this week, 50% of them have suffered from the dreaded half-time trap-rap breakdown in their second verse. The rest were mostly ballads or mid-tempos, which don’t generally include rap at all. Some songs are strong enough … Continue reading
Despite garnering huge success as part of idol group Wanna One, Ong Seungwu’s post-disbandment activities have focused more strongly on acting than music. His solo work has been limited to a fun (but forgettable) summer single and an OST for his drama At Eighteen. He’s yet to actively promote a song on music shows, and … Continue reading
My reactions to DreamNote’s singles have been pretty polarized so far. I was not a fan of their self-referencing debut, but follow-up Hakuna Matata wormed its way into my top fifty tracks of 2019. New single Wish (바라다) falls somewhere in the middle, borrowing elements from both songs without pushing the group’s sound in any … Continue reading
Say what you will about the effects of Produce 101 (and believe me, I’ve had a lot to say on the matter), but its influence has reignited interest in idol acts that fall outside of the usual group configurations. Both soloists and duos have seen a resurgence in popularity, offering the chance for popular trainees … Continue reading
VERIVERY were one of my top three rookies of last year, and much of that had to do with their distinct new jack swing sound. But, like almost every boy group in the history of K-pop, 2020 sees them “maturing” that sound into edgier territory. Not only have they switched styles, but they’ve brought in … Continue reading
Soloist Younha has had a long and illustrious career, filled with commercial highs and lows. But, her name has now been rocketed back to attention thanks to a feature from BTS’s RM. That song, produced by the brilliant Eden/Ollounder/Leez team, isn’t even her title track. Given its big-name collaborators and general awesomeness, it probably should … Continue reading
Before I get into my thoughts about Answer, I want to heap praise on ATEEZ’s Treasure series one last time. It’s been an incredible run, meticulously planned and artfully executed. The fact that their last album’s outro ended up being a teaser for Answer blows my mind, and the way that new release Action To … Continue reading
The release of a group’s first full-length album is a big deal, but the roll-out for SF9’s First Collection has felt simultaneously rushed and muted. Today was an especially confusing landmark, as we received the track list, highlight medley and music video all within hours of each other. And, the album’s not even out until … Continue reading
For my final year-end list, I like to shine a spotlight on Korean variety — a vital component of K-pop’s appeal. As always, this countdown is very much my own opinion, and has a definite idol group bias. This is a K-pop blog, after all! + Make sure to check out the rest of the … Continue reading
Despite its title, I’m quite confident that this list does not represent the “best” J-pop tracks of the year. It’s a much more filtered list than my K-pop countdowns, because I just don’t keep up with J-pop as strongly as I’d like to. So, what you’re getting here is twenty great tracks by artists that … Continue reading
We’re only two days into the new year, but K-pop has already delivered a new debut… of sorts. Top Gang feels more like a pre-release for boy group MCND, and the song was first performed on music shows last month. I’m not sure what MCND’s eventual concept will be, but I’m hoping that this track … Continue reading
The Bias List // K-Pop Reviews & Discussion 