Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though completely solid, The Boyz’ new mini album continues to exacerbate … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. To be completely honest, I’m not a huge fan of the … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I haven’t reviewed Snuper’s newest Japanese single because… well, it’s pretty … Continue reading
Greyish can’t quite decide if they want to throw a hyphen after the “G” in their name, as it seems to change with every other comeback. For consistency’s sake, I’m leaving it out — but I am fascinated with when and how K-pop decides to utilize grammatical quirks. When we last saw the girls, they … Continue reading
I was surprised when it was first announced that members of UP10TION would be participating in Produce X 101. I knew that the buzz around the group had slowed in recent years, but I always thought they were relatively high-selling. Maybe their agency just realized they needed more of a push when it came to … Continue reading
What does a rock song composed and produced by Sweetune sound like? Well, if IZ’s May release Eden was any indication, it doesn’t sound like Sweetune at all. Their partnership with IZ has been one of the year’s biggest surprises. I’m not unhappy about it (unless it’s preventing more classic Sweetune music from being released…), … Continue reading
Apink have quietly become one of the longest running girl groups still active in today’s idol industry. They rarely make waves (at least internationally), but have sustained their popularity over eight years — an eternity in K-pop. When it comes to solo material from the group, main vocal Eunji is probably the first member to … Continue reading
With another year of KCON behind me, I’m feeling recharged. This is something I needed after a lackluster K-pop summer. Though KCON seemed a bit cursed at the beginning (both ONEUS and Chungha had to cancel, following Everglow who pulled out weeks earlier), it turned out to be a great year. It’s my fifth KCON … Continue reading
With YG Entertainment in continual freefall, the company seems unable to release anything but threadbare solo albums from its artists. BLACKPINK’s stuck in a one-per-year promotional schedule, iKON is in limbo after losing its leader, and Treasure 13’s debut has been postponed for who knows how long. In their place, YGX (an agency subsidiary) has … Continue reading
In K-pop, it’s all too common for little-known rookie groups from smaller agencies to switch wildly between concepts in the hope that something — anything — will help them stick in the public conscious. Unfortunately, this approach very rarely works, and usually feels more inauthentic than exciting. There is no perfect road-map to K-pop success, … Continue reading
This April, The Boyz explored lighter territory with the bubblegum pop of Bloom Bloom. While I will always be leading the charge for more bright boy group material, Bloom’s incessant catchiness was almost too sugary to stand as one of the Boyz’ classic title tracks. New single D.D.D pulls back a bit, coming across as … Continue reading
In a year flush with debuts, Everglow’s Bon Bon Chocolat stood out thanks to its edgy sound. I wasn’t as enthralled with the song as others seem to be, but I’m always eager for more girl groups who push against the grain. New single Adios continues this approach, borrowing from BLACKPINK’s repertoire to craft what … Continue reading
Red Velvet’s past three Korean title tracks have split opinion, each becoming more experimental than the last. It’s a wonder, then, that the group have maintained their popularity with music that has been so polarizing. The girls opened their “ReVe Festival” trilogy only two months ago with the release of the carnival-esque Zimzalabim. Though that … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Pentagon made their bid for a summer hit with last month’s Humph, but my feelings about the song could basically be summed up by its title. I hate to see the group succumb to retreads of 2018 hit Shine at the expense of new sounds. Their one-two punch of Cosmo and Sha La La hinted … Continue reading
But fear not! I’ve scheduled all sorts of posts for over the next few days. Coming up is a review of Pentagon’s newest J-pop single, some great Random Shuffle Reviews, and another “Looking Back” feature for November 2014. So, make sure to check back often! Regular reviews will resume on Tuesday, August 20th. Continue reading
I first gained interest in Winner via a solo release. In fact, it happened before Winner was even a thing. Back in the summer of 2013, Kang Seung Yoon dropped the brilliant pop rock of Wild & Young. As I watched the group debut a year later, I hoped that he would continue releasing solo … Continue reading
The Bias List // K-Pop Reviews & Discussion 