Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
After a July with few newcomers, the ‘Year of Debuts’ rolls on with an August release schedule already flush with rookies. Leading the charge is Happyface Entertainment’s D1CE, composed of long-suffering trainees who have all been involved with survival series such as Produce 101, MIXNINE and BOYS24. This is the new reality for a lot … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2019 Overall Thoughts How do I adequately describe just how much of a crippling disappointment … Continue reading
Girl group Busters have been around since 2017, but this is the first time I’m writing about them here. As with most rookies from small agencies, their music has tended to blend in with the crowd, lacking any discernible identity of its own. This is despite a unique origin story. The group was formed to … Continue reading
Rookie group VERIVERY have spent nearly a year recreating the same title track with slightly different variations (or are they VERI-ations?). But once you accept that, their songs are a blast. In a sea of trendy musical mush, their brand of high-energy new jack swing is needed more than ever. The group’s new single album … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. For casual fans already confused by the NCT system, NCT Dream’s … Continue reading
Given the pedigree of JYP Entertainment, ITZY were never going to be anything but an instant smash. Still, the girls have exceeded already-high expectations, delivering one of 2019’s only bonafide idol group blockbusters in Dalla Dalla. While much of the Korean charts have been clogged with ballads and r&b this year, ITZY’s unabashedly ballsy K-pop … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. After the shellacking I gave Kang Daniel’s debut title track, you … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since venturing out into solo territory, SHINee’s Taemin has split his discography equally between Korea and Japan, maintaining a consistent level of quality regardless of the language he performs in. This is good news for fans, as it means we get new Taemin music regularly. His effortless charisma draws attention no matter what sound he … Continue reading
I’ve spent too much energy this month complaining about songs produced by Devine Channel. Between 1Team’s Rolling Rolling, Kang Daniel’s What Are You Up To and EXO-SC’s very own What A Life, this production team has played a big part in this July being one of the worst K-pop months I can remember. So, I … Continue reading
With little attention from the K-pop industry as a whole, idol band The Rose seems to have cultivated a dedicated international fan base — enough for the group to launch tour dates around the world. They may only have a few singles under their belt, but the band has already spawned a solo album from … Continue reading
It’s been almost a year since the last proper NCT Dream comeback, though with the way the ever-rotating NCT system works these long hiatuses never feel quite as endless. New single BOOM also acts as the first promoted song under the group’s six-member configuration. With Mark graduating from Dream at the end of 2018, the … Continue reading
As Wanna One’s first center and a bonafide variety show star, Kang Daniel is easily the most anticipated of the group’s post-disbandment debuts. He’s spent the past few months locked in a legal struggle with his former agency, but has come out victorious with his own label and (presumably) a new sense of artistic control. … Continue reading
As I impatiently wait for some of my favorite acts to make long-overdue comebacks, it made me wonder how long the longest K-pop hiatuses have been. So, I did some research! The following statistics are rounded by month rather than specific days, unless there was a tie between two acts. I’ve kept my focus to … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Sometimes it feels like K-pop releases are preceded by endless weeks of teasers, so Mamamoo’s surprise drop of Gleam (다 빛이나) is a refreshing new strategy. It makes me wonder if an idol act will ever release an entire album without an extended promotional lead-up. Of course, Gleam is essentially a soundtrack for a CF, … Continue reading
Despite largely being produced by the same team, VAV’s singles run has been pretty hit or miss. They’re at their best when forgoing trends and focusing on polished songwriting and dynamic instrumentals. This was the case for March’s Thrilla Killa, which bolstered the group with forceful, funky production and a charismatic concept. This is not … Continue reading
The Bias List // K-Pop Reviews & Discussion 