SM Entertainment doesn’t always get the credit it deserves when it comes to being a boundary-pushing agency. They’ve been blending genres and playing with song structure since the very beginning. Hits like H.O.T’s I Yah or TVXQ’s Rising Sun still feel miles away from what we think of as “Top 40” radio fare. But these … Continue reading
Amidst everything going on with his band-mate T.O.P, G-Dragon made the right decision in releasing the emotive Untitled, 2014 as the first single from his new mini album. But this being G-Dragon, we knew we’d be getting at least one hip-hop hype track before the album campaign was over. The eye-catchingly titled Bullshit is the … Continue reading
For as long as boy group B.A.P have been around, they haven’t done all that much solo or sub-unit work. But after a 2016 that saw them releasing song after song both in Korea and Japan, they’ve released a double a-side that allows members Daehyun and Jongup a chance to shine on their own. First … Continue reading
Over the course of two mini albums, Pentagon have already shown a lot of promise for a group who only debuted half a year ago. But I have noticed one thing all their albums have in common: they never seem to pick the strongest track as their promotional single. Luckily, they made up for this … Continue reading
Though most of k-pop fandom’s obsession rests on groups and individual artists, I have just as strong a bias toward certain producers as the performers themselves. That’s why I started The Bias List‘s Producer Spotlight feature. There are dozens of amazing individuals and teams working behind the scenes to craft k-pop’s best songs. Here are … Continue reading
Other than the finale, the best part of each year’s Produce 101 is the concept performance battle. This is where the remaining contestants are split into groups and given an original song that fits within a specific genre. Last year, this segment resulted in the gorgeous In The Same Place, which became a bit of a … Continue reading
It’s such a thrill to write about a solo G-Dragon track. Though Bigbang has been active over the past few years, we haven’t heard from G-Dragon on his own since 2013’s brilliant Coup d’Etat album. But on a personal level, he was one of my first ambassadors to k-pop as a whole. I can’t think … Continue reading
Now that Sistar has officially disbanded, Cosmic Girls are Starship Entertainment’s sole remaining girl group. Over their past two releases, the girls have started to develop an intriguing, spacey pop style that has helped give them an identity within an overly crowded market. Rather than strengthen this burgeoning sound, Happy goes the easy route by … Continue reading
As we’ve seen over the past few months, making it to a ten-year anniversary is no small feat when it comes to k-pop. FTIsland join a select few that have outlasted the threat of disbandment and roster changes and failing agencies. For that alone, they deserve immense respect. Even more kudos should be given for … Continue reading
It’s getting a little repetitive to open every DAY6 review with the same sentiments, but I just can’t believe how well their year-long promotional cycle is going. They’ve been punctual each and every month with high quality releases, and now they’ve smartly packaged the first half of their 2017 output into a full-length album that … Continue reading
Solo idol stars are a tricky proposition in k-pop — a genre that thrives on a constantly morphing, assembly line style of dynamic group performance. But Chungha has the weight of Produce 101 and I.O.I behind her, lending an instant hype to her solo work. Rather than branch out and establish herself as a unique … Continue reading
At what point does a “joke” song become a “real” song? The last time comedy duo UV hit it big with a high profile collaboration was in 2011 with Itaewan Freedom featuring Park Jinyoung. That song is obviously intended as a parody of sorts, but it’s a dynamite pop track in its own right and … Continue reading
Top Secret is not a group on many fans’ radar, and they wouldn’t be on mine either if it wasn’t for their connection to producers Sweetune. They debuted this January with the catchy — if slight — She, and are back with another Sweetune track for part two of their “school trilogy.” Mind Control is … Continue reading
From bubblegum pop princess to mature singer-songwriter, IU has grown to become one of k-pop’s most loved and respected artists. Her output has varied quite heavily throughout the years, and each listener is likely to have an IU sound that they prefer most. Looking at my top ten, I think you’ll see where my allegiances … Continue reading
It’s that time of year again! Even if it doesn’t always feel like it here in the Pacific Northwest, summer is on the horizon. This is my favorite season for k-pop, with a strong focus on energetic, upbeat releases. Unlike the Ultimate 80’s Playlist I featured earlier in the year, “summer” is a far more … Continue reading
I’m not sure what kind of alternate-reality-grammar “We, First” is following, but I do know that this specific brand of synth-infused, cutesy girl group release is getting a bit stale. ELRIS is a brand new act, most notable for featuring K-Pop Star‘s Sohee as a member. She debuted last month with the trendy Spotlight, and … Continue reading
Hyoyeon — known as one of the main dancers in Girls’ Generation — made her solo debut with last year’s SM Station track Mystery. It left a lot to be desired, especially since Hyoyeon herself possesses so many aspects that make for a compelling solo act. New single Wannabe improves a bit on Mystery, but … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2017 Overall Thoughts May was a month of contrasts. The first two weeks were among the … Continue reading
It seems like I’ve been writing about farewell songs much too frequently over the past several months. The Great 2017 Wave of Girl Group Disbandments is very real, and it’s not all that great. Sistar are the latest casualty, and a surprising, sudden loss for the dwindling handful of second generation idol groups that remain … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. So far, 2017 has been short on strong pop albums. … Continue reading
The Bias List // K-Pop Reviews & Discussion 