After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Despite a promising start, girl group Billlie has experienced some growing pains as they attempt to carve out their musical niche in the K-pop market. Today, they’ve opted for their first unit track. Snap brings together lead vocal Moon Sua and lead dancer Siyoon on a hard-hitting hip-hop track. While it may showcase some skill, … Continue reading
After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
Billlie pre-released the understated Trampoline last week, complete with a low-budget music video that suggested they were saving their resources for their album’s title track. Remembrance Candy (기억사탕) is that title, arriving within the quirky worldbuilding we’ve come to expect from the group. It also scores a co-write from IU, who worked on the lyrics. … Continue reading
Billlie have a new album out later this month, their first Korean release in about a year. And as is the fashion lately, they’re kicking off promotions with a pre-release track. Trampoline merges their quirky worldview with the subdued nature of 2024 girl groups, adding a jazzy flair for good measure. This will make for … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
I’m not as familiar with Billlie’s discography as others, so I was confused by the “Japanese version” tag attached to this music video. Is there a Korean version of Domino? I certainly can’t find one. Regardless, this synth-heavy sound would be a great direction for the group to take in any music market, melding their … Continue reading
About a month after pre-release BYOB (Bring Your Own Best Friend), Billlie are back with title track DANG! (Hocus Pocus). That’s a lot of parenthesis! This one-two shot further establishes them as a quirky group who exist just outside the mainstream. DANG! enlists songwriters Daniel Caesar and Ludwig Lindell among its team of four, and … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2023 Overall Thoughts After a very strong August, it felt like we entered the K-pop … Continue reading
Oh, come on now! That song title is so cheesy it’s got me physically cringing. Yet, its earnestness is also disarming in a way, and this perfectly illustrates the duality of K-pop. BYOB is the first of two tracks from Billlie, the second of which will be released next month. It’s a breezy trifle of … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2023 Overall Thoughts I’ve been complaining about K-pop a lot this year, but April was … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2023 Overall Thoughts So… when does the good stuff start? Seriously, we had yet another … Continue reading
I understand the appeal of Billlie, but so far their singles run has been hit or miss for me. They’re at their best when pushing against current tropes to indulge in more unique sounds. New single Eunoia doesn’t exactly do that, but it’s a solid example of the Monotree-esque quirky dance music favored by peers … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2022 Overall Thoughts Too often this year, my monthly round-ups have been… kind of a … Continue reading
Rather than develop a signature sound, Billlie seem to have developed a signature mantra: “keep things quirky and unpredictable.” From their verbose song titles to their genre-hopping sound, they’re proving to be one of the most interesting girl groups of this era. With such a wide variety of influences, listeners may not connect with every … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
Hailing from Mystic Story has its advantages. You have agency founder Yoon Jongshin at your disposal, a celebrating songwriter whose work is foundational to popular Korean music. His songs may not be particularly trendy, but his name recognition alone draws attention. Billlie’s project album Track by Yoon puts that name front and center, as single … Continue reading
The Bias List // K-Pop Reviews & Discussion 