At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2018 Overall Thoughts September’s usually a pretty slow month, with the Chuseok holiday holding back … Continue reading
There’s no shame in seeking to replicate the success of a hit single. Momoland did it earlier this year when BAAM all but plagiarized their own Bboom Bboom, and now Pentagon have doubled down on the musical hallmarks of their slow-burning spring hit Shine. Of course, Naughty Boy (청개구리) sees the group in a very … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2018 Overall Thoughts Well, if July was disappointing, August was downright anemic. For the first … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets the … Continue reading
After a strong start to the year, Cube Entertainment has collapsed in recent weeks with the mishandling of the E’Dawn/HyunA dating “scandal” and BTOB members’ impending military enlistments. It’s bound to be a rough road in the coming months, but new girl group (G)I-DLE remains a bright spot for the agency. Their May debut saw … Continue reading
By their very nature, ballads are difficult to write at length about. The vast majority follow a similar template, with a greater focus on performance and sentiment than novel production touches. But, when a ballad hits, it hits big. This was the case for BTOB’s late-career breakout It’s Okay, which reinvented them as a compelling … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2018 Overall Thoughts I’ve always seen the month of July as the pinnacle of each … Continue reading
Triple H made their unit debut in May of 2017, bringing together soloist HyunA and Pentagon members Hui and E’Dawn to form a trouble-making trio. 365 Fresh was a wonderfully retro funk track that got a bit overshadowed by its controversial music video. One might think that this muted commercial response would cause Triple H … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Ferdy Years … Continue reading
As part of my 2018 mid-year retrospective, it’s time to look at those songs that either rose or fell as the months have passed. Some songs are slow-burners. Others impress in the moment but fizzle out quickly. And sometimes, a song surpasses expectations to become a cultural phenomenon. This year has actually seen more risers … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Back in k-pop’s second generation (approximately 2003-2011), agency collaboration albums were … Continue reading
Ever since their 2015 commercial resurgence with cathartic ballad It’s Okay, BTOB have fallen into a pattern of increasingly toothless pop music. They’ve never been more successful than they are now, so it’s hard to fault them from sticking to a winning formula, but I fear that any bit of edge has been completely ironed out … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2018 Overall Thoughts All things considered, May was a pretty solid month. It definitely had … Continue reading
Try as they might, Cube Entertainment just hasn’t been able to push girl group CLC over the finish line. This makes the decision to debut (G)I-DLE a little surprising — especially since these girls are peddling quite a similar sound. But business decisions aside, I’m always here for new female acts that opt for an … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2018 Overall Thoughts In my mind, April represents the beginning of k-pop’s peak season. From … Continue reading
Though they seem to have found their sweet spot as a self-producing idol group, it still feels like Pentagon are struggling to find their signature sound. Leader Hui co-created Wanna One’s immense Energetic, but hasn’t chosen to borrow that same sense of dance-pop propulsion for his own group. In its place is a trendier brand … Continue reading
In the (almost) three years since their debut, CLC have cycled through just about every girl group concept you can imagine. Yet, none of these changes in style has led to lasting commercial success. And quite frankly, none has resonated all that strongly with me either. With new single Black Dress, the girls are moving … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2017 Overall Thoughts 2017 certainly ended with a whimper. December is usually a pretty barren month, … Continue reading
MBC’s Gayo Daejejun had the best theme of the three end-of-year specials, and as usual it had the most stacked line-up. But I can’t help but feel like it lacked the kind of watercooler moments that make these specials so thrilling. The idea of pairing idol groups with fans resulted in some really endearing performances. … Continue reading
More often than not the KBS Gayo feels like the most intimate of the three end-of-year festivals, held in a theater rather than a stadium. This has its pluses and minuses, but the idea to structure this year’s special more like a traditional concert was an interesting choice. It was one made out of necessity, … Continue reading
The Bias List // K-Pop Reviews & Discussion 