Song Review: Pentagon – Runaway
Review

Song Review: Pentagon – Runaway

Pentagon are back with their second self-composed album after making a sonic shift with September’s Demo_01. Taking over the reigns of their music was a smart choice, especially when it resulted in a song as spectacular as Like This. Runaway successfully continues this sound, even if it never reaches the heights of its predecessor. Once … Continue reading

Grading the K-Pop Agencies: Part One (Big Hit, Brave, Cube, DSP, Fantagio, FNC, Jellyfish, MBK)
Feature

Grading the K-Pop Agencies: Part One (Big Hit, Brave, Cube, DSP, Fantagio, FNC, Jellyfish, MBK)

Disclaimer: As with my write-ups on the Big Three agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Big Hit … Continue reading

K-Pop Producer Spotlight: Daniel Caesar & Ludwig Lindell (Caesar & Loui)
Feature

K-Pop Producer Spotlight: Daniel Caesar & Ludwig Lindell (Caesar & Loui)

If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Daniel Caesar … Continue reading

Song Review: Pentagon – Like This
Review

Song Review: Pentagon – Like This

Pentagon may be an unknown group to some, but its leader Hui has co-composed two of k-pop’s most ubiquitous tracks this year. Working with production team Flow Blow, he’s created both Produce 101‘s tropical-inspired Never and Wanna One’s immense Energetic. It’s still early in the game, but with his talents on board, Pentagon have the potential … Continue reading

Song Review: HyunA – Babe
Review

Song Review: HyunA – Babe

Some may argue to the contrary, but for my money HyunA hasn’t given us a truly great solo single since 2014’s Red. Instead, she’s been caught in an unending loop of releasing essentially the same song year after year. For this reason, Babe‘s shift in sound is worth celebrating alone. HyunA cemented her solo super-stardom … Continue reading