At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Just two months after releasing his first full-length album, Doh Kyungsoo has returned with a special digital single. Honestly, they should just tack it onto that album and call this a “repackage” the way K-pop used to do. Either way, Kyungsoo’s discography can always do with more energetic material and Dumb sees him exploring crunchy … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Doh Kyung Soo has one of the richest tones in K-pop, but as with so many great voices his solo music has usually steered toward ballads and coffeehouse-ready midtempos. There’s nothing wrong with that, but the style doesn’t exactly inspire excitement. Teasers of his first full album seemed to promise a more diverse set of … Continue reading
A week ago, EXO’s Doh Kyung Soo (D.O.) pre-released the fluffy pop track Popcorn, hinting that his new album might have a more upbeat twist to it. Title track Mars fulfills that promise, transferring the gentle, coffeehouse appeal of his music to a sprightlier sound palette. Mars is still very much within the “easy listening” … Continue reading
After leaving SM Entertainment, EXO’s D.O. has reverted to his given name for his new album, set for release next month. Before that, we have pre-release Popcorn — an uncharacteristically cutesy bit of pop fluff. I tend to tie Kyung Soo’s solo music to the coffeehouse, and Popcorn still fits comfortably into that setting. However, … Continue reading
Years ago, I used to refer to the impending autumn as K-pop’s “ballad season.” That’s changed recently, with many ballads replaced by more upbeat idol tracks on the charts. But with BTS’s V and EXO’s D.O. releasing solo music this month, we’re seeing a resurgence of slower material. Somebody is not a ballad, but its … Continue reading
In the lead up to his second mini album, EXO’s D.O. has pre-released the gentle I Do (별 떨어진다). If past songs are any indication, “gentle” is likely to be an apt descriptor for this album. Like many idols-turned-solo, D.O. seems to prefer this light, coffeehouse sound. But unlike some idols, D.O. has the vocal … Continue reading
Fans have long clamored for a solo album from EXO’s D.O. His smooth vocal style adds soul and groove to the group’s tracks, and he seemed poised for an excellent R&B career of his own. However, SM Entertainment doesn’t seem to know what to do with his skills. D.O. has stated his desire to challenge … Continue reading
I’m tired of writing about farewell singles. It feels like we’ve had an inordinate amount of idols enlisting in the military this year, and most of them have ushered in their hiatus with a sentimental goodbye track for the fans. I don’t enjoy being critical of these songs. I know how much it stings to … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
If Tell Me (What Is Love) is any indication, it seems as if SM’s new weekly Music Station platform may become an avenue to release some long-awaited fan favorite material. This song is not unknown among Exo fans, and is one of many unreleased tracks from SM’s vault that has been performed live in the … Continue reading
The Bias List // K-Pop Reviews & Discussion 