This is an interesting collaboration. I didn’t expect to see Heize pair with producer R.Tee, resulting in a sound that’s far more dancefloor-oriented than most of her work. Similar to his 2019 track with Anda (still a banger btw), Vingle Vingle (빙글빙글) centers around an instrumental-drop-as-chorus. If you must employ this overused trope, you better … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2022 Overall Thoughts I’ll be publishing my top songs of the first half of 2022 … Continue reading
It’s been years since I last wrote about a Heize track. She falls in a murky territory that’s not always covered on The Bias List: not an idol herself but often poppy enough to exist within that framework. Today, she’s out with her second full-length album, led by the funky Undo (없었던 일로). The genre … Continue reading
I have a playlist on my phone called “K-pop for People Who Hate K-pop.” It’s stuffed with the least offensive music I can imagine, designed for use when in mixed company. K-pop’s wilder ambitions aren’t for everyone, and that’s okay. American-sounding, coffeehouse-type tunes that just happen to be performed in Korean tend to become affable … Continue reading
Such is the selling power of BTS that they don’t even have to rap or sing on a track to make waves. Heize’s new single was co-written/produced by Suga, and her agency wants you to know it. This isn’t to say that Heize needs much help in the promotion department. Her idiosyncratic voice and smooth … Continue reading
Queen of the digital charts Heize has returned with an ambitious comeback, releasing two music videos (with a third on the way) for her newest mini album. Honestly, the prospect of reviewing the entire trio is more than daunting. I like Heize’s music just fine, but it hardly fits within my wheelhouse. They always say … Continue reading
Heize has become something of an ‘it girl’ in Korea, rising to the top of the charts with each release. This is helped along by the nature of her music, which feels alternative by k-pop standards. Male soloists like Crush and Dean have found success with a softer blend of r&b, hip-hop and balladry, but … Continue reading
The last time Junhyung released a promoted solo single it was 2013’s absolutely brilliant Flower. 2013 was a high watermark year for the artists-formally-known-as-Beast. It also felt like the era that Junhyung’s composing partnership with Kim Taejoo — under the moniker “Good Life” — was really coming into its own. Fast forward to 2017 and … Continue reading
Heize first gained fame about a year ago by appearing on the second season of Unpretty Rapstar, but rather than follow an expected hip-hop trajectory since the show’s finale, she’s offered music that adds much more of a melodic, r&b influence. Taking this approach even further, Star (저 별) goes full-on ballad, showcasing Heize’s vocals over spare … Continue reading
Heize and DEAN are two artists looking to break out. At the moment, it seems like DEAN has the better chance of doing so. His more recent songs have charted well digitally, and he enjoys a certain amount of clout as a songwriter. Meanwhile, Heize has the benefit of Unpretty Rapstar behind her, though I … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Thank the kpop gods! We finally have an SM Station release that isn’t a lifeless ballad! This alone is something to celebrate, but the fact that Lil’ Something is a great song in its own right is icing on the cake. For those unfamiliar, Chen is one of the main vocalists in mega-group EXO, and Heize … Continue reading
The Bias List // K-Pop Reviews & Discussion 