Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
After a long-fought battle, Highlight have finally reclaimed their original name (Beast/B2ST) from their former agency. Even so, it seems like they’re hanging onto the Highlight moniker for promotions. They’ve promoted that way for over seven years now, which is longer than many entire idol careers. With this in mind, I guess it doesn’t make … Continue reading
It’s been fun to watch the Highlight members grow into elder statesmen of K-pop, continuing to go strong even as the group has dwindled to four. They’ve managed to keep their fans fed pretty consistently since their rebrand, though it’s been over a year since their last comeback. New single Body sees them return in … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
It’s been a while since we’ve heard from Highlight’s Gikwang. For me, his solo career has been a mixed bag with strong title tracks and so-so albums. 2019’s Don’t Close Your Eyes (D.C.Y.E) is a personal favorite, but new single Predator gives it a run for its money. Gikwang has found his sweet spot in … Continue reading
As a spin-off to my Battle of the B-sides feature, I’m pleased to announce the arrive of “Battle of the Title Tracks!” In this feature, I’ll be pitting three K-pop title tracks/singles against each other and choosing a winner. These songs will mostly be from pre-2016 since I’ll try to focus on music I haven’t … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
It can be difficult for a band in their thirteenth year to craft music that rivals their commercial peak. This is affected by the inherent ageism in the pop industry, but even without that challenge there comes a time when a group has simply ‘been there, done that’ with most genres and sounds. Where do … Continue reading
I have a fear that many of K-pop’s 2022 summer offerings will opt for a subdued city pop sound. It probably won’t be proven true, but the industry does love a gentle coffeehouse vibe. Highlight’s Son Dongwoon has returned with his own summer track, and it falls closely along these lines. Today’s Weather (우리 날씨 … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Counting their time as Beast, Highlight have been releasing music for thirteen years – a stunning length of time for any idol group. Daydream is their fourth full album, though their first under the Highlight moniker. Given how past albums resulted in insta-classics like Fiction, Shadow and Ribbon, expectations for this new title track should … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
There are some K-pop voices that instantly take me back to a different generation. Yang Yoseob’s tone was vital to the early 2010’s, gifting Beast’s music with a unique quality. Its clarity and lightness are immensely calming, capable of delivering powerful dance tracks as well as more typical ballads. In short, I could listen to … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
I think it’s obvious that I love a good statistic. In addition to my core rating system, I’ve got my top three songs of each month, my yearly countdowns and more data breakdowns than anyone could ask for. None of these are perfect ways to categorize or quantify something as subjective as music, but they … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2021 Overall Thoughts 2021’s momentum stalled a bit this month. But, it wasn’t for a … Continue reading
Though they’re short two original members, Highlight have become one of K-pop’s longest-running groups thanks to a rebranding and revitalization in 2017. Perhaps unsurprisingly, their new single Not The End (불어온다) seems to spring directly from that year’s musical trends, feeling like an outtake from their earlier work rather than a new push forward. Highlight … Continue reading
The Bias List // K-Pop Reviews & Discussion 