At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2025 Overall Thoughts Oof. What a month. K-pop in 2025 hasn’t been overwhelmingly awesome so … Continue reading
It’s been an unexpected “Cube Entertainment circa 2011” flashback this week, with Highlight/Beast, Jang Hyunseung and now HyunA all releasing new music. The actual songs haven’t been nearly as fun or memorable as this flashback suggests, but it’s still nice to see familiar faces back in the fray. HyunA’s music career remains quite active, reliably … Continue reading
K-Pop queen HyunA made her return on a new label late last year, and Attitude was a brief shot of excitement leading into this new era. Follow-up Q&A takes a more vibe-driven approach, but its dance elements work well for her. Between 4minute, Trouble Maker, Triple H and her solo work, HyunA’s covered a ton … Continue reading
Alongside fellow artists Jessi and Dawn, HyunA recently left Psy’s P Nation for a new label. She decided to sign with producer GroovyRoom’s AT AREA, and Attitude is the first taste of what the two may create together. With the ink still fresh on their partnership, I’m already excited for the music that may come … Continue reading
Early on in HyunA’s new single Nabillera, she references her 2011 mega-hit Bubble Pop. It’s a bittersweet moment, because it reminds listeners how incredible her music can be. Match a dynamite song with an artist as charismatic as HyunA and you have K-pop that defines the entire industry. Songs like Red and Roll Deep saw … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2021 Overall Thoughts September is usually a hit of miss month. Releases tend to be … Continue reading
Watching the competition show LOUD has renewed my interest in P Nation and its artists. The agency is already stacked with major talent, both in front of the cameras and behind the scenes. And the series’ reinterpretations of popular songs have showcased the creativity at the core of P Nation’s ethos. It’s disappointing, then, when … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2021 Overall Thoughts 2021 is off to a roaring start, and February really kicked into … Continue reading
Though HyunA released I’m Not Cool last week, she was originally scheduled to promote a different track last year. That song is Good Girl, which officially breaks free of its b-side status with a music video today. I liked I’m Not Cool well enough, but this feels more like a single. I’m glad that she’s … Continue reading
Oftentimes, it feels as if I appreciate the idea of a HyunA song more than the actual song itself. She’s such a fierce, charismatic performer, and has played an integral part in the last decade (and more!) of K-pop. She’s also released her fair share of classics, both as a soloist and part of girl … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! January … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! October … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Honestly, I came into tonight’s festival feeling pretty pessimistic. KBS’s Gayo was largely forgettable, and tonight’s line-up was missing some of my favorite acts. But, MBC ended up balking expectations and being the most enjoyable of the three gayos overall. When I think about it, this isn’t too surprising. I’ve always loved MBC’s more intimate … Continue reading
If I’m being completely honest, the first few months of PSY’s P Nation have been a dull disappointment. The agency has delivered a string of digital singles, none of which has pushed their artists in new or interesting directions. For all the hype, P Nation feels like business as usual. If anyone is ready to … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Triple H made their unit debut in May of 2017, bringing together soloist HyunA and Pentagon members Hui and E’Dawn to form a trouble-making trio. 365 Fresh was a wonderfully retro funk track that got a bit overshadowed by its controversial music video. One might think that this muted commercial response would cause Triple H … Continue reading
The Bias List // K-Pop Reviews & Discussion 