At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
I’ve listed my “top tens” for many artists, but it’s time to rummage through entire discographies and rank every single from worst to best. This feature will primarily tackle groups who have disbanded or gone on indefinite hiatus. It’s a way for me to re-evaluate my initial thoughts on their singles run. Don’t be surprised … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. If you’re curious … Continue reading
With long-awaited returns from second and early-third gen boy groups SHINee, Infinite, EXO, Teen Top and U-Kiss, 2023 has been a dream for us older K-pop fans. Or rather, it would have been a dream if the majority of these comebacks hadn’t underwhelmed to various degrees. Seriously, I’m not sure how 2023 messed this up … Continue reading
I didn’t write about Kim Sejeong’s late-August pre-release, but appreciated its lilting sound and Celtic influences. It certainly made me curious which direction she would take for the title track of her first full album. Thus far, her solo music has been all over the place, pulled together by the strength of her vocals. Top … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2023 Overall Thoughts We’re not quite to the halfway point of the calendar year, so … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
I was pleased to see VERIVERY find such big success with a bright, upbeat pop track last year. Not every boy group has to posture and pose like a villain to sell albums, and Tap Tap felt like the start of a new era for the guys. Crazy Like That takes a slight sidestep, delivering … Continue reading
I spend the whole year plucking “buried treasures” from K-pop’s vast slate of albums, and now it’s time for those b-sides to have their own countdown! As usual, some of 2022’s strongest music was never promoted with a glossy video or music show blitz. Over the next two days, I’ll be counting down my forty … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. If you’re curious … Continue reading
VERIVERY are emblematic of a common boy group trajectory. They debuted with a fun New Jack Swing-inspired sound. This set them apart from their peers, even if it didn’t lead to extraordinary sales. Then, they got swept up in Road to Kingdom and re-emerged as one of many boy groups peddling darker, angsty sounds. These … Continue reading
Last November, VIXX’s Leo reminded us that he was still a force to be reckoned with. Now, he’s finally followed that one-off single with a new mini album. It’s been a long time coming – over three years, to be exact. New single Losing Game catches him right in his element. It’s a vocal-focused mid-tempo … Continue reading
I’ve been wanting to write this post for awhile because I think it’s really fun to look back at old reviews and re-evaluate them with fresh eyes. Opinions on music change over time, and that’s just as true for songs I despised when they were first released. Here, you’ll find the nine lowest-rated songs in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It seems to me that as … Continue reading
VERIVERY are hitting us with rapid-fire comebacks. A few weeks ago they returned with r&b slow-jam ‘O’ – a song I’ve enjoyed more each time I play it. This served as a prelude to the release of their first full album, which also acts as the conclusion of their multi-part ‘O’ series. Sadly, this concept … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2022 Overall Thoughts I’m eager to write a super effusive, super excited monthly round-up. Unfortunately, … Continue reading
After debuting with a steady (and fun!) sound, VERIVERY’s music became more hit and miss. Fortunately, their last single Trigger was a big hit for me. Alongside an all-killer, no-filler mini album, their edgy electro reinvention had me ready to board the VERIVERY train once more. New single ‘O’ marks another sonic shift, but its … Continue reading
The Bias List // K-Pop Reviews & Discussion 