Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. In one of the week’s best surprises, Taemin’s new Japanese album … Continue reading
Nearly every 2018 TVXQ release has felt underwhelming in some regard, and I only have myself to blame. They are my second-most-listened-to K-pop artist after Infinite, and as the years have gone on I’ve positioned them as untouchable legends within the industry. An over two-year hiatus only cemented this status, as I watched K-pop move … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2018 Overall Thoughts October was like one of those Halloween horror movies with a twist … Continue reading
Over the years, Kis-My-Ft2 has slowly become my favorite act in the ever-growing Johnny’s Entertainment roster. For my money, they’ve got an unbeatable string of singles, and their bombastic 80’s power pop dance style hits all the right buttons when it comes to my (admittedly cheesy) musical taste. 2018 has been pretty slow for them … Continue reading
Despite my slightly snarky review of the song, Cinderella Girl was an inescapably catchy debut for King & Prince. It perfectly positioned them as Johnny’s Entertainment’s next big thing, and a bonafide sensation in Japan. But as time has taught us again and again, a follow-up is just as important as a debut — maybe … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s confounding when the best singles are unleashed upon the world … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2018 Overall Thoughts September’s usually a pretty slow month, with the Chuseok holiday holding back … Continue reading
With new Korean enlistment laws going into effect, VIXX are approaching that precarious moment when some of its members will have to take an extended leave from the group. Whether the guys enlist one at a time or all together, Reincarnation will likely be their final 6-member Japanese comeback for awhile. It’s no surprise that … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. WM Entertainment’s debut-year plan for ONF has been kind of frustrating. … Continue reading
I don’t tend to believe in the concept of guilty pleasures, but J-pop group M!LK’s discography would likely fit within that category for most. Their affected vocal delivery conforms to the more eccentric side of Japanese idol pop, and has often been paired with love-it-or-hate-it material. But the group has recently dabbled in harder-edged sounds … Continue reading
Despite not having a monthly release schedule like they did last year, DAY6 has still been plenty busy in 2018. They may have only made one Korean comeback, but Breaking Down is now their third Japanese single in seven months, unveiled ahead of their first full J-rock album to be released next month. Breaking Down follows … Continue reading
Ever since GFriend’s 2015 debut, fans have eagerly awaited their inevitable push into Japan. After all, their Korean material already borrows heavily from J-pop tropes, so much so that early hit Me Gustas Tu functioned just as well as a Japanese release. But until Memoria, the girls had yet to deliver an original J-pop track. … Continue reading
News are in the midst of celebrating their fifteen-year anniversary, though the group currently looks quite different than it did when they debuted in 2003. But though the years have whittled them down to a four-piece, their lengthy career is quite admirable. Few pop groups last even half this long. And to help mark this … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets the … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2018 Overall Thoughts Well, if July was disappointing, August was downright anemic. For the first … Continue reading
It’s only been three weeks since we last heard from Japan’s Hey! Say! JUMP, but the guys have made a speedy return with the release of their sixth full length album. Banger Night leads that album, and represents a dramatic shift in sound for the group. I’m a sucker for whenever Johnny’s Entertainment groups go … Continue reading
There are few things more frustrating than the Japanese music industry’s insistence on posting “short” music videos online. I get the fact that videos usually come packaged with physical albums and singles, and that throwing them up for free might discourage sales. But, it’s a total buzzkill when a song fades out just as it’s … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s no secret that K-pop takes much of its influence from … Continue reading
As popular as it has been, Twice’s Japanese material has left a lot to be desired thus far. Pursuing a hyper cutesy motif, it’s only seemed to accentuate the group’s most cloying instincts. But the teasers for BDZ — the lead single from their first full J-pop album — seemed to promise something more mature. … Continue reading
As Snuper’s Korean success begins to stall, it seems as though they’re being shipped out to every territory imaginable to help garner an international following. This has proven especially fruitful in Japan, where they’ve enjoyed surprising popularity by embracing J-pop’s more idiosyncratic sounds. Summer Magic (夏のMagic) is their third original single for the Japanese market, … Continue reading
The Bias List // K-Pop Reviews & Discussion 