Though not often mentioned alongside k-pop’s most prominent breakout acts, UP10TION have quietly sold an impressive amount of albums, positioning them as one of the most successful rookie groups of the moment. That success looks to be replicated as they make their debut in Japan. J-pop efforts from Korean groups can be very hit and … Continue reading
Oh, the ever-elusive Boyfriend. It’s been two years since they’ve released a promoted title track in Korea. Some listeners might even assume the group has disbanded. But in reality, Boyfriend has been churning out excellent Japanese material during their k-pop absence, most recently with last October’s standout Jackpot. And new single I Miss You is another to … Continue reading
As happens with many acts within Johnny’s Entertainment, News have slowly become j-pop’s answer to a reliable old Vegas act. I don’t mean this as an insult. The group’s willingness to indulge in every manner of over-the-top novelty is one of their most endearing assets. And like any veteran performers, they always back it up with … Continue reading
J-Pop is often on the eccentric side, but even in that context, Bullet Train (超特急) are unique. Rather than stick with the traditional boy group configuration, the group consists of two vocalists and five dancers, who are usually positioned at the center or front of performances. The group’s music is also not always for the … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2017 Overall Thoughts 2017 started with one of the strongest (and most packed) first weeks that we’ve … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Shinee‘s latest Japanese album, Five, is super solid. The first … Continue reading
As Korea spends one more day celebrating the Lunar New Year, putting new k-pop releases on hold, it’s a good time to spotlight one of the most promising new j-pop groups of 2016. FlowBack debuted last year, and Heartbreaker was released in December, but the song is too good not to share — even a month … Continue reading
Debuting in 2013 as Universal Music’s first foray into the k-pop world, Boys Republic are one of the genre’s most underrated groups. Though they’ve never had that one breakout hit that would shoot them to superstardom, they’ve delivered a consistently awesome series of singles that have run the gamut from light pop fare to edgier, … Continue reading
Shinee‘s j-pop material has always been stronger than many of their peers, but their new album Five is especially solid. Bolstered by a heavy dose of bombastic funk, most of its tracks see the group moving towards a big, uptempo party vibe that contrasts with their more experimental, nuanced work last year in Korea. Get … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2016 Overall Thoughts As expected, the last month of the year was comparatively sparse when it … Continue reading
Wrapping up the end of year countdowns, it’s time to delve deeper into the albums 2016 gave us. Among hundreds and hundreds of tracks released this year (and last December!), here are forty of the absolute best. PART ONE HERE + Make sure to check out the rest of the year-end countdowns here! 20. UP10TION – STUCK … Continue reading
Wrapping up the end of year countdowns, it’s time to delve deeper into the albums 2016 gave us. Among hundreds and hundreds of tracks released this year (and last December!), here are forty of the absolute best. + Make sure to check out the rest of the year-end countdowns here! 40. OH MY GIRL – KNOCK KNOCK … Continue reading
The Bias List is a k-pop site first and foremost, but I’m always on the lookout for new j-pop as well. And though I can count myself as somewhat of an authority on Korean entertainment and idol groups, my knowledge of their Japanese counterparts is much more limited. Add to that the fact that j-pop … Continue reading
Although EXO debuted in Japan last year with a reworking of Korean track Love Me Right, Coming Over marks their first original single recorded in Japanese. In general, SM groups have a strong track record when it comes to their j-pop releases, and given that EXO is currently the agency’s most successful act, one would expect … Continue reading
With just a passing glance at the title of Shinee’s new Japanese single, it’s hard not to imagine the guys traipsing around a faux-snow set while belting out the Christmas classic. And as horribly cheesy as that sounds, I’ll admit that part of me would have actually looked forward to it. In reality, Winter Wonderland … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Taking into account both Korean and Japanese releases, BAP has now given us six singles since last November. And although none have become instant classics in their discography, the fact that they’ve all been so consistently good (and varied in sound) is quite a feat. Fly High continues that trend, opting for a more generic … Continue reading
After two years with a stranglehold on the charts, AOA have had a difficult year in Korea. So, it makes sense that they’d put renewed focus on their Japanese career with the release of Wow War Tonight. The song sounds nothing like the two original j-pop singles they’ve given us thus far, but that’s actually … Continue reading
What is up with GOT7’s Japanese discography? I can’t think of any other k-pop act with such a wide discrepancy between their Korean and Japanese material. Yes, Japan is a very different market with their own likes and dislikes, but Hey Ya (along with their other j-pop releases) doesn’t even fit neatly into current Japanese … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
The Bias List // K-Pop Reviews & Discussion 