At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2020 Overall Thoughts For the first time in months, I feel pretty good about where … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
It’s not unusual for an idol group to perform an OST track, but most of these songs are outsourced to producers who may or may not have a history with the group’s discography. Very few OST songs could be considered highlights within an artist’s catalog. More often, they’re generic pop tracks or melodramatic ballads. In … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! October … Continue reading
True to form, Stray Kids are promoting their first full album with a series of music videos. Last month’s Blueprint was a smart chose for summertime spotlight, though it doesn’t look like they’re actually going to perform it on music shows. Instead, that honor goes to Easy. Quite frankly, I’m not sure why. Personally, I … Continue reading
Looking back at this feature from 2019, it seems like I identified quite a few risers and few fallers last year. Unfortunately, I can’t say the same for 2020. Most title tracks — even the ones I loved — just haven’t enjoyed the same staying power. I’m not quite sure why this is. Maybe it … Continue reading
After looking at the year’s best singles (so far), it’s time to turn attention to 2020’s albums. I’ll reiterate what I said yesterday: relative to previous years, it’s been slim pickings. Consistently good mini albums have been particularly hard to find this year, at least in my opinion. But even though the overall picture may … Continue reading
Slim pickings this year, my friends. In fact, if not for June I’m not sure I could have compiled a mid-year list at all. As it stands, I only have five picks compared to last year’s eight, and the honorable mentions list has been cut in half as well. What does this all mean? It … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2020 Overall Thoughts This may not seem like much within the context of 2020’s continual … Continue reading
I’m currently watching Nizi Project at the delayed pace that JYP Entertainment is releasing official subtitles, so I’ve pretty much given up hope when it comes to avoiding spoilers. And with debuting group NiziU releasing their first music video today, whatever shred I may have been clinging onto has completely disintegrated. So, I have surrendered. … Continue reading
Stray Kids’ God’s Menu has grown on me since its release, but I still think their album Go Live boasts a handful of tracks that would have made much more satisfying singles. Luckily, JYP Entertainment is in the habit of releasing multiple music videos for the group, and that approach has resulted in Blueprint (청사진) … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. In an alternate timeline, Stray Kids just released their new mini … Continue reading
As Twice’s 2019 material matured, that sense of sophistication bled over to their Japanese discography as well. Both Breakthrough and Fake & True represented quantum leaps in quality when stacked against past J-pop releases. I had hope that this streak would continue, but new single Fanfare pulls them back a little. This is despite the … Continue reading
I always get a little nervous when it’s time for another Stray Kids comeback. I adore so much of their material, but their hard-hitting hip-hop sound can also be pretty hit-or-miss when it comes to my personal taste. I tend to enjoy their songs best when they incorporate an additional instrumental element, from psy-trance to … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though not as strong or consistent as either of their 2019 … Continue reading
The Bias List // K-Pop Reviews & Discussion 