With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since winning the first season of K-pop Star, Park Jimin has jumped from gig to gig — as part of pop duo 15&, as a co-host on After School Club, and as a soloist. She’s about to make her biggest leap yet: straight out of JYP Entertainment. It’ll be interesting to see what the future … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
With another year of KCON behind me, I’m feeling recharged. This is something I needed after a lackluster K-pop summer. Though KCON seemed a bit cursed at the beginning (both ONEUS and Chungha had to cancel, following Everglow who pulled out weeks earlier), it turned out to be a great year. It’s my fifth KCON … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2019 Overall Thoughts How do I adequately describe just how much of a crippling disappointment … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Given the pedigree of JYP Entertainment, ITZY were never going to be anything but an instant smash. Still, the girls have exceeded already-high expectations, delivering one of 2019’s only bonafide idol group blockbusters in Dalla Dalla. While much of the Korean charts have been clogged with ballads and r&b this year, ITZY’s unabashedly ballsy K-pop … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
In a July that has seen an unprecedented amount of downbeat, forgettable comebacks so far, DAY6 have returned to inject some life into the month. We last heard from the band in December, when they released the excellent Days Gone By. December releases tend to fade from memory this time of year, but Days still … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Reviews are only a snapshot in time, which means that many of the songs I write about will rise or fall as the months go on. I tend to be pretty moderate in my reviews, so none of these following selections have moved drastically from my original thoughts, but the first half of 2019 definitely … Continue reading
So far, 2019 has been an odd year for K-pop. If I were to sum it up, these first six months have pinballed between “thrilling” and “frustrating.” Taken as a whole, I think 2019 easily usurps 2018 at this same point. But, many of my favorite songs were released in close proximity to one another … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2019 Overall Thoughts Well… June happened. The K-pop gods giveth and they taketh away, and … Continue reading
It’s that time of year again. The sun comes out, the temperature climbs, and K-pop goes tropical! Well, it wasn’t always this way. A few years ago, summer didn’t instantly mean tropical pop music, and I hope we’re working our way out of this persistent trend. But tropical or not, many of my top K-pop … Continue reading
JYP artists must have the most demanding schedules of any K-pop agency. Between Korea and Japan, it feels like they’re just constantly releasing material (GOT7 and Twice, especially). This endless supply of music makes it hard to keep the quality up, and it’s usually the J-pop songs that fall by the wayside. Most of GOT7’s … Continue reading
Stray Kids are a difficult group to decipher, and I’m starting to think they like it that way. March’s Miroh was a watershed moment for them, and remains one of 2019’s finest singles. By bolstering their hard-hitting hip-hop sound with equally impactful EDM influence, the song seemed to spark a newfound ambition in the group’s … Continue reading
Paired with the more uncharacteristic Breakthrough, Happy Happy is one half of a double-sided blitz from Twice’s upcoming Japanese promotions. The two songs come together to represent contrasting moods for both hot summer days and steamy summer nights. As you might have guessed from its title, Happy Happy is dedicated to fun-in-the-sun excitement, and falls … Continue reading
With a title like Breakthrough, you better have the goods to deliver. Thus far, Twice’s Japanese material has ranged from fair to frenetically frustrating. Last year’s BDZ hinted at some musical progress, but their immense popularity doesn’t exactly spawn motivation to change. More than a breakthrough, the group needs to take a sledgehammer to their … Continue reading
The Bias List // K-Pop Reviews & Discussion 