Laboum released one of my favorite girl group singles of 2017 with the upbeat Hwi Hwi. But rather than double down on this style of bubblegum pop, they’ve spent 2018 pursuing a more subdued, mid-tempo sound. July’s Between Us proved that they were a solid match for this musical transition, so it only makes sense … Continue reading
The much-dreaded (but inevitable) SHINee hiatus begins next week when leader Onew will begin to serve his mandatory military conscription. Before that, he’s gifted fans with his very first solo album — a collection of ballads appropriately titled Voice. His rich tone has been an anchor for so many SHINee songs, but I don’t think … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Now that the dust has settled on Red Velvet’s Really Bad … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Key’s title track One Of Those Nights is totally solid, but … Continue reading
It’s December, which means we’ve entered the month of ballads and holiday releases. GOT7 are kicking things off with the sentimental Miracle, which spearheads a repackage of their latest album. Even if their music hasn’t always been to my taste lately, I’ve got to give it to the guys. Most repackages add two to four … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2018 Overall Thoughts November is always packed with comebacks, but rarely have we seen one … Continue reading
When it comes to the increased presence of English releases in the K-pop industry, it can be hard for me to decide which songs to review on this site. I very rarely write about English-only songs, whether released by a K-pop group or as a cross-cultural collaboration. I’m extremely picky when it comes to English … Continue reading
The first time I heard Red Velvet’s Dumb Dumb back in 2015, I thought it was a complete mess. The song has since gone on to become one of my favorite tracks in the group’s discography. I mention this because new single RBB (Really Bad Boy) gave me the exact same impression upon first listen. … Continue reading
Mamamoo’s highly successful 2018 has been filled with mini albums that follow a “four seasons,” color-specific concept. March’s Starry Night was painted with yellow, while summer hit Egotistic burned with red. As we move closer to winter, new single Wind Flower takes on a blue hue, as well as a more pensive tone. When put … Continue reading
With their past few releases, rookie group The Boyz has begun to develop a high-energy, funk pop sound that reminds me of SHINee at their most upbeat. Both Giddy Up and Right Here point towards a style I’m eager to hear more of — especially given 2018’s trend of brooding mid-tempos. For that reason, it’s … Continue reading
K-pop debuts are getting all kinds of complicated this year. Flavor are not technically a newly debuted group, but a sub-unit of yet-to-debut girl group Fanatics. The fact that both of these names start with the letter “f” makes them easy to mix-up, but I hope the synth-driven Milkshake is a sign of the sound Fanatics … Continue reading
As unfortunate as the disbandment of Wonder Girls continues to be, it’s freed up the group’s members to deliver some truly fantastic solo work. Sunmi has been on a hot streak since last year, and Yubin is right on her heals. Her city pop single Lady earned many admirers back in June. I continue to … Continue reading
A Mino solo album has been rumored nearly as long as Winner have been active as a group. We came close with his Show Me The Money tracks in 2015, and then his unit album with iKON’s Bobby in 2016. But now, YG Entertainment has finally delivered on their promise with the sprawling, twelve-track debut … Continue reading
Song Review: Key (SHINee) – One of Those Nights (ft. Crush)Now that Key has unleashed his first full-length album upon the world, the SHINee pentagram of solo releases is nearly complete. Leader Onew’s material is set for release next month, so that just leaves rapper/vocalist Minho. He’s got to come out with solo work sometime, … Continue reading
The quality I most appreciate in Lovelyz’ music is the very same one that may turn some listeners off. Since debut, the girls have pursued a specific synth-pop sound – fizzy and light with complex instrumentals. They’ve pushed outside the lines here and there (the effervescent That Day and For You), but have more or … Continue reading
Many of the Produce 101-spawned project groups have thrilled in fits and starts, but the series’ most enduring legacy will likely be Nu’est W (and eventually Nu’est as a whole). Before their stint on season two of Produce 101, the group was in a precarious position, destined to fade from memory the way so many … Continue reading
Pre-debuts seem to be all the rage nowadays, and the latest group to tease music before officially debuting is Dongkiz. Named after their agency (Dongyo Entertainment), they’re definitively in need of a cooler moniker. “Dongkiz” is pretty lame and unfortunately sounds too much like “donkeys.” But, K-pop has never been averse to awkward group names. … Continue reading
When it comes to NCT 127 title tracks, I’ve learned never to let my first impression color my final thoughts. I’m almost always underwhelmed the first time through, and that’s probably because I’m not a huge fan of the modern, minimalist hip-hop that has become the group’s focus. Most of their title tracks have taken … Continue reading
I’m not sure how or why I missed out on writing a review of Nature’s August debut Allegro Cantabile. I liked the track quite a bit, and over the course of a few weeks it became one of those steadily growing earworms. Korea didn’t exactly agree, as the girls have struggled to gain a foothold … Continue reading
I’m a big fan of artists sticking with a small circle of producers for the bulk of their career. Even when their music branches into new terrain, this kind of collaborative loyalty results in a cohesive discography and signature style. This has been the case with EXID since debut. They’ve turned to producer Shinsadong Tiger … Continue reading
The Bias List // K-Pop Reviews & Discussion 