It’s been a “will they or won’t they” situation with Kep1er over the past few weeks. After all, acts spawned from MNET competition shows usually come with an expiration date. However, the group has bucked tradition and extended their contract — minus members Mashiro and Yeseo. Shooting Star heralds the release of their first full … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Kep1er’s future as a group remains unsteady, with activities set to end in early July unless their contract is extended. I’m not sure if we’ll get another Korean comeback before that point, but for now fans can enjoy a new Japanese album from the group. Some of their strongest material has been released in Japan … Continue reading
One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Kep1er’s burgeoning Japanese discography has already resulted in one of their best songs, so there’s reason to be optimistic about any new releases. Grand Prix has a fun racing concept and bouncy sound, but right from the start I knew it would be an uphill battle for me. As with many of their peers, Kep1er … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2023 Overall Thoughts After a very strong August, it felt like we entered the K-pop … Continue reading
More often than not, Kep1er’s b-sides tend to eclipse their title tracks. Check out Back To The City, Together Forever and MVSK to see what I mean. They’ve yet to promote a song that connects with me in the same way, but with a possible contract extension in the works they may have more time. … Continue reading
This year’s KCON will live in infamy for a number of reasons: outrunning the remnants of a rare hurricane on my way home, testing positive for covid a day after, etc etc. However, this craziness doesn’t mean I don’t have highlights and commentary to share! For the first time, KCON LA’s concerts extended to three … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Earlier this year, Kep1er released Japanese … Continue reading
K-pop groups must stop unveiling their music videos before their album release. It seriously messes with my review schedule! To make matters worse, I had nearly finished my write-up for Kep1er’s Giddy when the song froze and contorted into a harsh sound of mangled metal. My computer locked up and I was forced to do … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
When I first delved into J-pop nearly a decade ago, the easiest entry points were K-pop acts performing in Japanese. They had built-in familiarity, and the acts tended to take a safe approach that complimented their Korean discography. Now that I’m steeped in Japanese music from Japanese creators and performers, I find most J-pop releases … Continue reading
Upon the announcement of its official closure, I joked about owing K-pop’s Universe app a proper obituary. But the more I thought about it, the more I realized that I really do need to document the demise of this longstanding frenemy. During its brief existence, Universe promised creepy AI-generated idol interactions (or so I’m told). … Continue reading
It’s time for K-pop’s final year-end festival of they year! As usual, MBC’s Gayo Daejejeon coincides with New Year’s Eve, pausing midway through for a countdown to 2023. Although HYBE artists were absent from the festival again this year, MBC’s Gayo tends to include a greater variety of genres than the other festivals. We had … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Not every K-pop group will be for every listener, and there’s nothing wrong with that. Throughout 2022, I’ve listened to all of Kep1er’s music, watched them compete on Queendom and seen them live at KCON. And still, I approach new single We Fresh with tons of trepidation. From the teasers alone, I knew there’d be … Continue reading
Full disclosure: leading up to this release I promised myself I would forgo the usual parody review that has become a Bias List tradition when new music is released via the Universe app. After all, this whole venture has lasted much longer than I expected and my creative well has begun to run dry. But … Continue reading
The Bias List // K-Pop Reviews & Discussion 