Seemingly out of nowhere, NCT 127 announced a collaboration track with the talents behind independent label Amoeba Culture. It’s an unexpected pairing, but not an unwelcome one. With many of NCT’s tracks being outsourced to international talent, it’s satisfying to hear the group tackle a song crafted by well-known Korean producers. Save arrives courtesy of … Continue reading
Though summer doesn’t officially start until later this month, June always seems to kick off the beginning of K-pop’s summer concepts. Of all the groups to tackle this upbeat energy, I wouldn’t have expected GHOST9 to be the first out of the gate. Though I’ve enjoyed their singles run so far, their sound has been … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’ve seen GWSN compared to f(x) … Continue reading
It’s quite rare for an idol group to release a ballad as title track. K-pop is wrapped up in performance (ie: choreography), making it difficult for ballads to check all the necessary comeback boxes. But, the Korean charts love a big, sentimental belter. And if any idol group is going to succeed without the dance … Continue reading
Though fans had to suffer through a long hiatus as he found his footing with a new agency, B.I has been prolific this year. Back in March, he released his debut solo single. That was followed by a pre-release last month, and now a full album. I suppose this is one of the benefits of … Continue reading
Over the past couple of years, Monsta X have settled into a nice little niche, releasing exactly the type of songs you’d expect of them. Of course, one person’s niche is another’s rut, and it’s been a while since I’ve been excited about a Monsta X title track. But with Gambler, the guys have taken … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2021 Overall Thoughts 2021’s momentum stalled a bit this month. But, it wasn’t for a … Continue reading
Rather than take an expected route for her solo debut, Red Velvet’s Joy has released an album of covers. She reinvents songs of the past few decades, including title track Hello (안녕). This is a cover of Park Hye-kyung’s 1999 hit Goodbye, and mostly opts for a straightforward interpretation. But, I’m delighted to hear her … Continue reading
With the release of their second album, TXT have embarked upon a new “Chaos” chapter. This was preceded by a very cool teaser video that delivered the kind of inventive performance and concept K-pop excels at. But true to form, the tone and energy of that ice storm teaser is completely different than title track … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Back in September, it felt like … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! Other Recaps: Episode One // Episode Two // Episode Three // Episode Four // Episode Five // Episode Six // Episode Seven // Episode Eight ‘NO LIMIT’ ROUND We’re back with the rest of the No Limit round performances (and Han’s goofy hat). Last … Continue reading
Prior to the release of their new mini album next month, the members of Seventeen have embarked upon several offshoot projects. In April, Hoshi and The8 each delivered a solo track. Now, members Wonwoo and Mingyu have teamed up with Lee Hi for the release of Bittersweet. But while the song boasts a powerhouse line-up, … Continue reading
In addition to my weekly recaps of each Kingdom episode, I like to write a special post dedicated to the music itself. Since we’ve yet to see these songs performed, it’s a great chance to discuss them on their own merits — free from set pieces and visuals and stunts. With that in mind, here’s … Continue reading
Whenever I see the name woo!ah!, I’m tempted to sing the hook from that old Busta Rhymes track. But, I’m sure that’s just my cranky old self coming through! 90’s hip-hop aside, I can’t say that any of woo!ah!’s tracks have hung around for long on my personal playlist, though I think their last two … Continue reading
It’s a rare treat to hear new material from IMFACT, but it seems we’ll have to wait even longer for a full group comeback. In the meantime, main vocal Taeho has made his solo debut. GGOMA (꼬마) is a duet with singer-songwriter Choi Ye Geum, and finds him tackling an unexpected sound. From its unusual … Continue reading
It’s been just over a year since we last heard from GWSN, and their new album marks a shift in both sound and collaborators. As someone who has appreciated – but not loved – their past work, I wasn’t too interested in this comeback before hearing the teasers. But, The Other Side of the Moon’s … Continue reading
Last September, Everglow reinvented themselves as retro synth warriors, releasing one of the year’s best songs in the process. La Di Da was immensely satisfying, finding a megawatt melody to match the girls’ always-impressive presence. Their charisma continues to flourish in the newly released First, but the song struggles to find a hook worth raving … Continue reading
I swear, I’m going to keep reviewing these Universe tracks until one completely knocks me out. So in other words… I’ll probably keep reviewing them forever. For those just now jumping onboard, Universe is a K-pop app that promises idol interaction and exclusive material. It’s already enlisted many top idols, releasing original songs and videos … Continue reading
Korean dramas often make stars of their actors, but their soundtracks can also elevate a singer’s career. 2020’s Itaewan Class was such a hit, launching Gaho’s Start Over into the stratosphere alongside it. Before that, he’d released a mini album and a couple other OSTs. None of them charted. With momentum behind his brand, Gaho … Continue reading
The Bias List // K-Pop Reviews & Discussion 